Classic Rock Magazine

Criticised for being exemplars of the beige stodge-rock that followed grunge, Creed sold albums by the million. We try and figure out why

Brice Dickinson ventures out of his Iron Maiden-shaped comfort zone for debut solo album Tattooed Millionaire

High Voltage was the album that introduced AC/DC to the world beyond Australia, but it was not met with universal acclaim, as readers of Rolling Stone will attest

When Metallica tried to follow The Black Album, the results were mixed. Then the leftovers arrived

Live At The Greek wasn't quite what it should have been due to contractual obligations, but it was the most animated Jimmy Page had sounded in years

Kansas's follow-up to the massively successful Leftoverture was Point Of Know Return, a slice of intuitively melodic rock that spawned a huge hit single, the emotive Dust In The Wind

The live album of Joe Cocker and Leon Russell's shambolic, chaotic, sex-fuelled, Mad Dogs & Englishmen rock’n’roll circus

Beneath the wilfully grubby production, Nirvana's debut album Bleach seethes with confidence, intelligence, star quality and pop sensibility

One side of classic rock bangers, one of R&B originals: the two sides of Tina Turner fight it out on 1975 solo album The Acid Queen

A Date With Elvis continued The Cramps' fascination with lust, obsession, and the darker side of rock'n'roll culture

Rocks: Aerosmith's fourth album was sleazier than a Boston back alley and sharper than a hypodermic needle. Or was it?

Your reviews of Toto XIV, or, as it's otherwise known, Toto's contractual obligation album

The self-titled Anderson Bruford Wakeman Howe is the album from the version of Yes that wasn’t technically Yes at all

"I wanted to make a 2D rock record. I wanted something that chuntered happily along" - Sisters Of Mercy mainman Andrew Eldritch on 1990's Vision Thing

Ritual De Lo Habitual became the first ‘alternative’ record to sell a million, inspiring a generation of bands who would ultimately kill the idea of ‘alternative’ stone dead

Can's Krautrock masterpiece Tago Mago was an album that realigned rock, commencing countdown for 21st-century music

After announcing their arrival with a stone-cold classic, Montrose returned to the studio in 1974 to record an underwhelming second album. Perhaps they should have released them in reverse order