Alan Reed Studio Report Pt. 2

Lots of tidying and editing for Karl first thing, so a relatively lazy start for Scott and I…

After some discussion we feel we’re ready to tackle the centrepiece of the album. A track which spans almost nine minutes and covers a lot of ground in terms of styles and dynamics. The drum programming on the demo is very sparse, working around the 12-string guitar part which is the track’s central spine. I want the drums to do ‘more’ without detracting from what’s quite a delicately balanced piece. We’ve already discussed ‘the big climax’ where we plan to overdub several takes to create a wall of drums. We just have to work out how we get there.

We take it section by section. Experimenting with parts till we find something that has the right balance of simplicity and interest for each one. It’s giving Scott some major brainache. It’s a bright, jazzy feel I’m after, but that’s a lot easier to say than achieve. Some of it’s clearly out of his comfort zone, but I know that’s when he often delivers his best stuff. It’s one thing working out a part. it’s entirely another figuring out how to play it with confidence. Especially as some of it seems ‘back to front’ in terms of which stick goes where.

Karl, tidying and editing...

Karl, tidying and editing... (Image credit: Alan Reed)

It’s slower progress than yesterday, but the track grows steadily with Scott adding a host of little touches and details which enhance it’s dynamic range. Before we know it we’re at the closing section.

On the demo this features a repeated military snare pattern which grows in intensity as the track reaches its climax. ‘Up the stairs to the scaffold’ is how I’d described it. To this end Scott overdubs a number of parts so it sounds like a small army. Then things start to get serious. A further three kits worth of interlocking tom patterns go over the top to create a veritable drum orchestra. Finally a soupcon of tambourine is added for extra flavour!!! It sounds tremendous. Karl observes that it’s going to be a nightmare to edit and mix - but, he says - it’ll be worth it.

Not easy to follow that, so it’s a bit of light percussion work to finish the day. Windchimes, cabasa and even my trusty rainstick all find their moments.

Scott, and his small army...

Scott, and his small army... (Image credit: Alan Reed)
Latest in
Queen posing for a photograph in 1978
"Freddie’s ideas were off the wall and cheeky and different, and we tended to encourage them, but sometimes they were not brilliant.” Queen's Brian May reveals one of Freddie Mercury's grand ideas that got vetoed by the rest of the band
Mogwai
“The concept of cool and uncool is completely gone, which is good and bad… people are unashamedly listening to Rick Astley. You’ve got to draw a line somewhere!” Mogwai and the making of prog-curious album The Bad Fire
Adrian Smith performing with Iron Maiden in 2024
Adrian Smith names his favourite Iron Maiden song, even though it’s “awkward” to play
Robert Smith, Lauren Mayberry, Bono
How your purchase of albums by The Cure, U2, Chvrches and more on Record Store Day can help benefit children living in war zones worldwide
Cradle Of Filth performing in 2021 and Ed Sheeran in 2024
Cradle Of Filth’s singer claims Ed Sheeran tried to turn a Toys R Us into a live music venue
The Beatles in 1962
"The quality is unreal. How is this even possible to have?" Record shop owner finds 1962 Beatles' audition tape that a British label famously decided wasn't good enough to earn Lennon and McCartney's band a record deal
Latest in Features
Mogwai
“The concept of cool and uncool is completely gone, which is good and bad… people are unashamedly listening to Rick Astley. You’ve got to draw a line somewhere!” Mogwai and the making of prog-curious album The Bad Fire
The Mars Volta
“My totalitarian rule might not be cool, but at least we’ve made interesting records. At least we polarise people”: It took The Mars Volta three years and several arguments to make Noctourniquet
Ginger Wildheart headshot
"What happens next, you give everyone a hard-on and then go around the room with a bat like Al Capone?!” Ginger Wildheart's wild tales of Lemmy, AC/DC, Guns N' Roses, Cheap Trick and more
Crispian Mills and Bob Ezrin
“We spent seven months on David Gilmour’s boat and almost bankrupted ourselves. But Bob encouraged us to dream big”: How Bob Ezrin brought out the prog in Kula Shaker
Buckethead and Axl Rose onstage
Psychic tests! Pet wolves! Chicken coops! Guns N' Roses and the wild ride towards Chinese Democracy
Ne Obliviscaris
"Exul ended up being recorded at 10 different studios over two and a half years." Ne Obliviscaris and the heroic story of their fourth album