Every Metallica album opening song ranked from worst to best

Metallica
(Image credit: Press)

Track number one is the most important song on any album. Get it right and we’re with you all the way. Get it wrong and you’ve lost us. Metallica know this as well as anyone – they’ve served up some of the greatest album openers in the history of metal. But what‘s the best Metallica opening song of all? Read on to find out.

10. Ain’t My Bitch

Load was the biggest left-turn of Metallica’s career, and it was amply signposted by the opening song. While previous albums had commenced with rip-roaring thrashers or enormous arena-metal hits, Ain’t My Bitch was a crunching garage rocker. It’s a decent headbanger, but too generic to match the catchiness of Enter Sandman or the velocity of Battery.


9. Frantic (St. Anger, 2003)

Following Jason Newsted’s departure and James Hetfield’s rehab, Metallica went back to basics with St. Anger. Frantic is one of the album’s most  furious tracks, but its shifting dynamics make it hard to get a hold of this six-minute opener. Also loses points for being the song that introduced the world to that drum sound.

You may like

8. That Was Just Your Life (Death Magnetic, 2008)

After wobbly 10 years, That Was Just Your Life was a blaring signal that Metallica had returned to what brought them to the dance: technical songs, flashy guitars and searing, roaring thrash. This opener is one of Death Magnetic’s highlights, overcoming overly-compressed production with its triumphant riffs and James’s vitriolic barks.


7. Hardwired (Hardwired… To Self-Destruct, 2016)

Hardwired… To Self-Destruct is one of Metallica’s most diverse albums, taking in everything from thrash to hard rock to progressive metal. Its opening title track doesn’t really reflect that at all, instead coming in as a to-the-bone starter that acts as a riotous callback to their own high-velocity past. An album opener like they used to make.


6. Hit The Lights (Kill ‘Em All, 1983)

The first track one of metal’s greatest debut albums starts off with a wall of noise that quickly erupts into a 100mph statement of intent, complete with one of the great opening lines in history: ‘No life ’til leather, we’re gonna kick some ass tonight.’ If one song represents the birth of Metallica, this is it.


5. Fuel (Reload, 1997)

When Lars Ulrich told the world that, post-Black Album, Metallica were exploring a more “greasy”, dirty sound, he obviously had Fuel in mind. A Battery for the NASCAR demographic, there’s nothing subtle about the dumbed-down petrol head turbo-blues blaster which introduces 1997’s Reload album but there’s no denying its full-throttle roar. Shame the rest of the album didn’t match up.


4. Fight Fire With Fire (Ride The Lightning, 1984)

After the youthful thrash of Kill ’Em All, the opening track of Ride The Lightning was the most startling thing Metallica had recorded yet: a gentle intro gives way to a relentless sonic assault that was even faster than anything on the debut. It’s the sound of band who knew the future would be theirs.


3. Enter Sandman (Metallica, 1991)

The opening track to Metallica’s world-conquering Black Album was both their passport to the mainstream and the song by which their decade would be defined. Thrillingly direct, immediate and impactful it kicked down the doors for the band on US radio, and ensured that the Black Album became first true ‘event’ album of the ‘90s.


2. Battery (Master Of Puppets, 1986)

The opening track on Master Of Puppets – the band’s third and greatest album – Battery lived up to its title and then some. After a slow and ominous intro, the calm before the storm, the band hit high gear in an all-out assault on the senses. Only Slayer, with their 1986 album Reign In Blood, could match the speed and intensity that Metallica achieved here.


1. Blackened (…And Justice For All, 1988)

…And Justice For All might have been the first Metallica album custom-built for CD – with a total running time of over 65 minutes. But the track sequencing still followed the same template as Ride and Master, beginning with a rallying-call opener, in this case Blackened, a howl of rage against the destruction of the environment. But where Blackened triumphs over Battery is in its musical maturity –  this is sound of Metallica growing up. They made better albums, but none began with such venomous intent.

Metal Hammer

Founded in 1983, Metal Hammer is the global home of all things heavy. We have breaking news, exclusive interviews with the biggest bands and names in metal, rock, hardcore, grunge and beyond, expert reviews of the lastest releases and unrivalled insider access to metal's most exciting new scenes and movements. No matter what you're into – be it heavy metal, punk, hardcore, grunge, alternative, goth, industrial, djent or the stuff so bizarre it defies classification – you'll find it all here, backed by the best writers in our game.

Read more
Trivium
"No one else is making contemporary heavy metal on their level." Every Trivium album ranked from worst to best
James Hetfield of Metallica performing live in 2008
“You couldn’t put a bigger band in a smaller room”: The story of the greatest Metallica live album you’ve (probably) never listened to
A collage of metal names including Ghost, Babymetal, Bloodywood, Linkin Park and more
The 50 best metal songs of 2024
Papa Roach/Employed To Serve/Nova Twins/Cradle of Filth/Electric Callboy
The 12 best new metal songs you need to hear right now
Metallica posing for a photograph in the mid 1990s
“I like to push some of those buttons. I like the fact that people have a problem with what we’re doing”: How Metallica kicked back against the 1990s haters with Reload
Metallica in 1999
"You can only be what the public thinks you are for so long before it becomes boring": The story of how Metallica got themselves an orchestra – and the album that followed
Latest in
Queen posing for a photograph in 1978
"Freddie’s ideas were off the wall and cheeky and different, and we tended to encourage them, but sometimes they were not brilliant.” Queen's Brian May reveals one of Freddie Mercury's grand ideas that got vetoed by the rest of the band
Mogwai
“The concept of cool and uncool is completely gone, which is good and bad… people are unashamedly listening to Rick Astley. You’ve got to draw a line somewhere!” Mogwai and the making of prog-curious album The Bad Fire
Adrian Smith performing with Iron Maiden in 2024
Adrian Smith names his favourite Iron Maiden song, even though it’s “awkward” to play
Robert Smith, Lauren Mayberry, Bono
How your purchase of albums by The Cure, U2, Chvrches and more on Record Store Day can help benefit children living in war zones worldwide
Cradle Of Filth performing in 2021 and Ed Sheeran in 2024
Cradle Of Filth’s singer claims Ed Sheeran tried to turn a Toys R Us into a live music venue
The Beatles in 1962
"The quality is unreal. How is this even possible to have?" Record shop owner finds 1962 Beatles' audition tape that a British label famously decided wasn't good enough to earn Lennon and McCartney's band a record deal
Latest in Features
Mogwai
“The concept of cool and uncool is completely gone, which is good and bad… people are unashamedly listening to Rick Astley. You’ve got to draw a line somewhere!” Mogwai and the making of prog-curious album The Bad Fire
The Mars Volta
“My totalitarian rule might not be cool, but at least we’ve made interesting records. At least we polarise people”: It took The Mars Volta three years and several arguments to make Noctourniquet
Ginger Wildheart headshot
"What happens next, you give everyone a hard-on and then go around the room with a bat like Al Capone?!” Ginger Wildheart's wild tales of Lemmy, AC/DC, Guns N' Roses, Cheap Trick and more
Crispian Mills and Bob Ezrin
“We spent seven months on David Gilmour’s boat and almost bankrupted ourselves. But Bob encouraged us to dream big”: How Bob Ezrin brought out the prog in Kula Shaker
Buckethead and Axl Rose onstage
Psychic tests! Pet wolves! Chicken coops! Guns N' Roses and the wild ride towards Chinese Democracy
Ne Obliviscaris
"Exul ended up being recorded at 10 different studios over two and a half years." Ne Obliviscaris and the heroic story of their fourth album