How Alice Cooper ended up singing on a forgotten Guns N’ Roses classic: “Axl called me at two in the morning!”

Guns N’ Roses with Alice Cooper
(Image credit: Paul Natkin/Getty Images)

Classic Rock 315 - Guns N' Roses cover

(Image credit: Future)

The brand new issue of Classic Rock features a rundown of the 50 greatest Guns N’ Roses songs ever and the stories behind them, from deep cuts to stadium-sized hits.

We spoke to various people who have collaborated with the band over the years, among them Alice Cooper. The shock rock icon first crossed paths with the band when they supported him early in their career, going on to team up with Axl and co in 1988 for a cover of The Coop’s early 70s classic Under My Wheels.

But the pair’s greatest collaboration came three years later on Use Your Illusion I deep cut The Garden, a slice of psychedelia-tinged sleaze that features a sneering Cooper vocal. While it’s not as famous as some of the other tracks on the UYI albums, it remains a lost treasure for many GN’R fans.

You may like

Here, Alice tells Classic Rock how he got involved in this overlooked classic…

Metal Hammer line break

Alice Cooper: “We took Guns N’ Roses on their first tour, and the very first night, after they played, I told my band: “We’d better be very good tonight.” They had the attitude, the sound, the swagger. I had to send somebody out for bail money on that tour because one or two of them were in jail. So we were kinda like their big brothers and they knew they could call me any time.

“With The Garden, Axl called me at two in the morning: ‘Can you come over to the studio?’ I said: ‘Sure, I’ll be over, but I can’t spend three days doing it.’ When I came in, the scene in the studio was very clean. Axl was there, and maybe Slash or Duff, and everything was ready to go. The lyrics were there. I listened to the song three times and said: ‘No problem’. Axl didn’t have to describe what The Garden was about. Being a lyricist, I saw where they were going with it. I got the imagery. To me, ‘the garden’ was where you go to pick the drugs you want.

“To give Guns N’ Roses credit, as dysfunctional as they were at points, they really had clever ideas. Like any hard rock band, they were blues-based, and The Garden starts out like a more modernistic take on that, with the psychedelia coming through in the lyrics. But it was still a very ‘street’ sound. 

“Slash has said Axl had been trying to sing like me and they decided to get the real thing. There’s a certain amount of cynicism and dark humour in what I do. I think that’s why they wanted me on the song – they wanted it a little sinister. They just said: ‘Do it the way you would do it.’  

“Axl might have given me a couple of pointers but we nailed it pretty quickly – in two or three takes – and I was surprised when he went: ‘Yeah, that sounds great.’ I didn’t hang out afterwards. I just said: ‘Guys, I know you’re gonna stay up for three days, so I’m gonna go home’. We could laugh about that, because they understood I’d been there once, too.

“I’ve sung a lot of different bits with a lot of different people, but it’s always great to be on a classic album. Use Your Illusion is not just another album. It’s an album that will go down in history.”

The brand new issue of Classic Rock is out now. Order it online and have it delivered straight to your door

Classic Rock 315, with Guns N' Roses on the cover

(Image credit: Future)
Classic Rock

Classic Rock is the online home of the world's best rock'n'roll magazine. We bring you breaking news, exclusive interviews and behind-the-scenes features, as well as unrivalled access to the biggest names in rock music; from Led Zeppelin to Deep Purple, Guns N’ Roses to the Rolling Stones, AC/DC to the Sex Pistols, and everything in between. Our expert writers bring you the very best on established and emerging bands plus everything you need to know about the mightiest new music releases.

Read more
Guns N’ Roses posing for a photograph in 1987
“Thank God we had strippers! They make great money”: Former Guns N’ Roses drummer Steven Adler on the chaos and carnage of making Appetite For Destruction
Alice Cooper posing for a photograph with horror actor Vincent Price in 1975
“I wrote to Vincent Price. I didn’t expect a reply, but he knew who I was. He really got stuck into the role”: The twisted story of Alice Cooper’s shock rock classic Welcome To My Nightmare
Slash live in 2000
“Axl only wanted to play industrial and Pearl Jam-sounding crap”: the story of Slash’s Snakepit and how it marked the beginning of the end for Guns N’ Roses mark one
Jerry Cantrell Press Pic 2024
"While I survived the 90s, not all of me did." Alice In Chains icon Jerry Cantrell on riffs, extreme metal and the best rock record to come from Seattle
Slices of the covers of albums made by Guns N' Roses members (montage)
Nine albums you should listen to by the members of Guns N' Roses... and one you should ignore
Alice In Chains posing for a photograph in 2013
“I can’t see us ever writing songs about boning strippers and doing cocaine in limousine jacuzzis”: How Alice In Chains came to terms with their dark past on The Devil Put Dinosaurs Here
Latest in
Foreigner at the Rock and Roll Hall Of Fame in 2024
Foreigner will complete their Historic Farewell Tour with four different singers – and one of them has recorded Spanish versions of their hits
The cover of Classic Rock 339, featuring Pink Floyd
"It's the father and mother of The Dark Side Of The Moon!": The full inside story of Pink Floyd's Live At Pompeii - only in the new issue of Classic Rock
Asia
"The haters won’t stop us from doing what we do": Geoff Downes on Asia's new lineup and the band's future plans
Fleetwood Mac group portrait
"The soundtrack to the greatest rock'n'roll soap opera ever": The mightiest Fleetwood Mac line-up albums in one handy box
Pete Townshend - The Studio Albums cover art
"This collection embodies both the best and worst of Townshend the artist and arch conceptualist": An overview of the solo career of Pete Townshend, the man who never meant to have a solo career
Linkin Park 2024
Linkin Park launch "the best song we've ever made" Up From The Bottom
Latest in Features
Asia
"The haters won’t stop us from doing what we do": Geoff Downes on Asia's new lineup and the band's future plans
Tony Banks
“You only have to hear the opening sweep to reach for your lighter and wave it in the air”: Tony Banks' greatest Genesis moments
Rick Astley and Rick Wakeman
“Rick Wakeman’s solo albums were just brilliant… when I heard he was doing Henry VIII at Hampton Court Palace, I bought 12 tickets”: Prog is the reason Rick Astley became a singer
Ozzy Osbourne, Paul McCartney, Robert Plant, Jim Morrison and Joe Strummer onstage
The greatest gig I've ever seen: 24 writers pick the most memorable live show of their lives
Marillion in 1984
From debauched prog revivalists to pioneers of the internet age: The Marillion albums you should definitely listen to
Mogwai
“The concept of cool and uncool is completely gone, which is good and bad… people are unashamedly listening to Rick Astley. You’ve got to draw a line somewhere!” Mogwai and the making of prog-curious album The Bad Fire