How I wrote Cold As Ice, by Foreigner's Mick Jones

Foreigner in 1977
Foreigner in 1977: Literally as cold as ice. Perhaps colder (Image credit: Michael Putland/Getty Images)

“It was a very heady time. I’d played in bands before, most notably Spooky Tooth, but this was the first time that I was the principal writer and had the responsibility of leading the band. We were in the studio but we didn’t really know yet exactly where we were going. But I knew that I wanted to be in a successful group. 

"I had bought a mini-piano, a Melody Grand, and I started to fiddle around on it, and hit upon a couple of interesting chords that I’d never played before. Lou (Gramm, former Foreigner vocalist) came around to the house and I just threw it out there and we started fleshing it out. I’d never written a full song on piano before and I was rather surprised how quickly I took to it. The piano I played in the studio was actually one that Atlantic had bought specifically for Aretha Franklin.

"Lyrically, the subject was based on the idea of the stereotypical cold-hearted, bad girl – the sort of woman Joan Crawford would play in a film – but it wasn’t aimed at anyone specific. Well, there was one girl at school that dumped me, so maybe that trauma stayed with me over the years and subconsciously filtered in! The other contributing factor was that it was about minus 20 degrees in New York at the time we were writing it, which may have fed into the atmosphere."

You may like

"It’s a strange, quirky little song, basically a pop song written back to front. The structure is unusual: it starts with the title, and it’s only further down the line that you realise that the pre-chorus is actually the chorus. I knew it was the poppiest song we’d done, which I was a little worried about, but everybody seemed to dig it. I didn’t see it being indicative of the direction of Foreigner, so it was a bit of a surprise addition to the album. But one thing I wanted to do with Foreigner was to show that the band had some versatility, and this was definitely different and a bit commercial, not just another hard rock song.

"I must admit though that I was surprised when it went into the Top 10 in America. But then we were a new band, and everything was exciting and surprising at the time. Feels Like The First Time, our first single, had come out a few months earlier, in March 1977, so I guess radio was ready to see what we had next.

"I don’t think we’ve ever played a Foreigner show without playing Cold As Ice. It’s a big one for the fans, probably in our top three songs in terms of recognition. It’s a proper singalong at gigs, everyone likes to belt it out. It’s a bit of an oddity, but it’s done very well for us. I guess it’s part of our identity now."

The Greatest Hits of Foreigner Tour starts on July 27. Mick Jones was speaking with Paul Brannigan

Paul Brannigan
Contributing Editor, Louder

A music writer since 1993, formerly Editor of Kerrang! and Planet Rock magazine (RIP), Paul Brannigan is a Contributing Editor to Louder. Having previously written books on Lemmy, Dave Grohl (the Sunday Times best-seller This Is A Call) and Metallica (Birth School Metallica Death, co-authored with Ian Winwood), his Eddie Van Halen biography (Eruption in the UK, Unchained in the US) emerged in 2021. He has written for Rolling Stone, Mojo and Q, hung out with Fugazi at Dischord House, flown on Ozzy Osbourne's private jet, played Angus Young's Gibson SG, and interviewed everyone from Aerosmith and Beastie Boys to Young Gods and ZZ Top. Born in the North of Ireland, Brannigan lives in North London and supports The Arsenal.

Read more
Mick Jones with guitar - studio portrait
"The Boston Symphony hasn't changed its name, so why should Foreigner?": Mick Jones looks back on 50 often fractious years with one of rock's most successful bands
The Rolling Stones pose during the production of their music video for 'It's Only Rock 'n Roll (But I Like It)' in June 1974 in London, England. The video was directed by Michael Lindsay-Hogg. From left to right, Mick Taylor, Mick Jagger, Keith Richards, Charlie Watts and Bill Wyman.
"We'd be up for days drinking, getting stoned and making music": How the Rolling Stones channelled chaos to make the final album with their most potent line-up
Jethro Tull in 1971
“It’s not about selling 12 million copies … the songs still touch me when I sing them or talk about them to this day”: Jethro Tull’s struggle to make Aqualung, in their own words
Cutting Crew holding guitars laughing
"That song has been my passport, my bank manager and my lover down through the years": Cutting Crew's Nick Van Eede on (I Just) Died In Your Arms, gangster rap and Tanzanian bandits
Mick Fleetwood sitting cross legged by a swimming pool in 1980
“We were just boozers and mounds of cocaine. Cocaine eventually is bad, but we were young kids. It didn’t hamper us”: The epic life and crazy times of Mick Fleetwood, the heartbeat of Fleetwood Mac
Marillion backstage
"There was a decadent, hedonistic atmosphere in Berlin. It was a great time for making music": Marillion look back on the making of the album that tore the band apart
Latest in
Vera Farmiga in 2021
The Conjuring star Vera Farmiga announces debut album with her heavy metal band The Yagas
'Emo' Ed Sheeran busking
Watch Ed Sheeran cover Chappell Roan's Pink Pony Club on the New York subway while disguised as an emo busker
A close-up shot of the Marshall Major IV on-ear headphones on a turquoise, blue and black background.
I’ve never seen the Marshall Major IV headphones this cheap before - get them for half price in Amazon’s big spring sale
Evanescence in 2025
Evanescence release new song Afterlife from Devil May Cry TV series soundtrack, have their next album in the works
Tony Banks
“You only have to hear the opening sweep to reach for your lighter and wave it in the air”: Tony Banks' greatest Genesis moments
The Horrors
Ghouls Aloud: The Horrors come back from the dead with "a dazzling nocturnal spectacle of sombre reflections and oozing catharsis"
Latest in Features
Tony Banks
“You only have to hear the opening sweep to reach for your lighter and wave it in the air”: Tony Banks' greatest Genesis moments
Rick Astley and Rick Wakeman
“Rick Wakeman’s solo albums were just brilliant… when I heard he was doing Henry VIII at Hampton Court Palace, I bought 12 tickets”: Prog is the reason Rick Astley became a singer
Ozzy Osbourne, Paul McCartney, Robert Plant, Jim Morrison and Joe Strummer onstage
The greatest gig I've ever seen: 24 writers pick the most memorable live show of their lives
Marillion in 1984
From debauched prog revivalists to pioneers of the internet age: The Marillion albums you should definitely listen to
Mogwai
“The concept of cool and uncool is completely gone, which is good and bad… people are unashamedly listening to Rick Astley. You’ve got to draw a line somewhere!” Mogwai and the making of prog-curious album The Bad Fire
The Mars Volta
“My totalitarian rule might not be cool, but at least we’ve made interesting records. At least we polarise people”: It took The Mars Volta three years and several arguments to make Noctourniquet