How Reef wrote Place Your Hands, by Gary Stringer

Reef circa 2000
(Image credit: Chris Lopez/Getty Images)

Jack [Bessant, Reef bassist] and I moved to London from Somerset in 1993 to find fame or fortune, or at least form a great band. After we met Kenywn [House, guitar] and Dom [Greensmith, drums] we all moved into a place together in Isleworth in West London. Within six months, we got signed to S2, and were flown out to New York to shoot a Sony MiniDisc TV ad, which featured our song Naked

It was all very exciting. By the time we started writing songs for our second album, Glow, we’d already had a Top 10 album (Replenish) and three Top 30 singles. Everything was going great, and we were bursting with ideas.

Our initial plan was to record Glow at Abbey Road, with George Drakoulias. We got introduced to George when we were out in America playing shows with Kyuss. He’d work with The Black Crowes and Primal Scream, and we fell in love with him, because not only is he one of the sweetest men in music, but he also has an incredible knowledge of, and passion for, music. 

You may like

While we were at Abbey Road, Jack got this vintage Fender Telecaster bass, and one day he showed me the bass line from which Place Your Hands originated, and I started singing this mellow melody over it, “Oh take me down, to the water, you will see my coloured dreams…” 

After Abbey Road we moved to Real World Studios, and Kenywn came up with that great, hooky riff, which gave the song this real explosion of energy, and I knew I had to change the melody to something more upbeat.

Around this same time, while we were on tour, my grandfather passed away, and so we called in to see my nan. Afterwards I started to put my feelings about grandfather’s death into the lyrics. The opening lines, “Place your hands, on my hope, run your fingers through my soul…” are basically about wanting a hug, wanting a human touch, and reaching out for some love. 

The song sounds really happy, but if you listen to the lyrics, they’re actually quite poignant and sad. And once the great Benmont Tench added a fabulous piano solo, the song fell into place.

As soon as George and the big dog at the label, Muff Winwood, heard Place Your Hands, they knew it was a big deal. We didn’t know, we were young and writing on instinct, but they heard a hit. We released it as the first single from the album, and [then Radio 1 DJ] Chris Evans went crazy for it, and played it every morning. It ended up charting at Number 6. That set the album up brilliantly, and Glow entered the charts at Number 1 a few months later.

These days, Place Your Hands has taken on a life of its own. It still sells over 1,000 copies a week: nearly 1,500 copies last week, in fact. There’s actually a Twitter account (@PlaceYourHands) which charts its weekly sales. I’m thankful and proud that it’s connected with so many people over the years. It’s so pure, the sound of a bunch of little scruffy herberts rocking out and expressing themselves.

Gary Stringer was speaking with Paul Brannigan. Tickets for Reef's Shoot Me Your Ace Tour are on sale now

Paul Brannigan
Contributing Editor, Louder

A music writer since 1993, formerly Editor of Kerrang! and Planet Rock magazine (RIP), Paul Brannigan is a Contributing Editor to Louder. Having previously written books on Lemmy, Dave Grohl (the Sunday Times best-seller This Is A Call) and Metallica (Birth School Metallica Death, co-authored with Ian Winwood), his Eddie Van Halen biography (Eruption in the UK, Unchained in the US) emerged in 2021. He has written for Rolling Stone, Mojo and Q, hung out with Fugazi at Dischord House, flown on Ozzy Osbourne's private jet, played Angus Young's Gibson SG, and interviewed everyone from Aerosmith and Beastie Boys to Young Gods and ZZ Top. Born in the North of Ireland, Brannigan lives in North London and supports The Arsenal.

Read more
Noel and Liam Gallagher of Oasis in 1994.
“The lyrics are quite nonsensical… I was hammered when I wrote it”: Noel Gallagher on the making of Some Might Say, the song that showed Oasis were set for the big time
Marillion backstage
"There was a decadent, hedonistic atmosphere in Berlin. It was a great time for making music": Marillion look back on the making of the album that tore the band apart
Marillion
“I thought I’d have to sell my house. The manager suggested we got part-time jobs”: Marillion were facing oblivion. Then they made This Strange Engine and found a way forward
Graham Gouldman posing for a photograph in 2025
“A 10cc reunion? It’s a hard no to that, I’m afraid”: Why Graham Gouldman is one of Britain’s greatest songwriters – even if people don’t know it
Beardfish
“We started by playing an old song and it was a case of the hairs standing up on your arm. I felt straight away that we were back”: The power of music compelled Beardfish to return
The Knack posing for a photograph in 1980
“It was love at first sight. I broke up with Judy and chased Sharona for a year”: How The Knack wrote My Sharona, the one hit wonder to end all one hit wonders
Latest in
Steven Wilson in 2015 and Playboi Carti in 2025
“I’ve been touring around indie record stores, and I’ve yet to meet anyone who’s even heard of Playboi Carti”: Steven Wilson comments on chart battle with superstar rapper
Hayley Williams performing with Paramore in 2024 and Chino Moreno performing with Deftones in 2024
Watch Paramore’s Hayley Williams join Deftones to sing Minerva in Nashville
Gong
Daevid Allen's final album with Gong to be reissued
Rick Astley and Rick Wakeman
“Rick Wakeman’s solo albums were just brilliant… when I heard he was doing Henry VIII at Hampton Court Palace, I bought 12 tickets”: Prog is the reason Rick Astley became a singer
Ozzy Osbourne, Paul McCartney, Robert Plant, Jim Morrison and Joe Strummer onstage
The greatest gig I've ever seen: 24 writers pick the most memorable live show of their lives
Marillion in 1984
From debauched prog revivalists to pioneers of the internet age: The Marillion albums you should definitely listen to
Latest in Features
Rick Astley and Rick Wakeman
“Rick Wakeman’s solo albums were just brilliant… when I heard he was doing Henry VIII at Hampton Court Palace, I bought 12 tickets”: Prog is the reason Rick Astley became a singer
Ozzy Osbourne, Paul McCartney, Robert Plant, Jim Morrison and Joe Strummer onstage
The greatest gig I've ever seen: 24 writers pick the most memorable live show of their lives
Marillion in 1984
From debauched prog revivalists to pioneers of the internet age: The Marillion albums you should definitely listen to
Mogwai
“The concept of cool and uncool is completely gone, which is good and bad… people are unashamedly listening to Rick Astley. You’ve got to draw a line somewhere!” Mogwai and the making of prog-curious album The Bad Fire
The Mars Volta
“My totalitarian rule might not be cool, but at least we’ve made interesting records. At least we polarise people”: It took The Mars Volta three years and several arguments to make Noctourniquet
Alice Cooper headshot
What Alice Cooper has in common with Hannibal Lecter: Shock rock's foremost practising Christian on snakes, guns, alcohol and Bible study