Limelight: The Anchoress

Confessions Of A Romance Novelist is the debut album from The Anchoress, the recording and performing alias of singer-songwriter, multi-instrumentalist and all-round maverick Catherine Anne Davies.

It’s not the first thing she has done – there were records released previously under the name Catherine AD, she’s been part of a supergroup called Dark Flowers alongside Jim Kerr of Simple Minds and Peter Murphy of Bauhaus among others, and she has been touring the world for a year or more with Simple Minds. And let’s not even get started on her part-time job giving Chrissie Hynde tips on social media and her post lecturing to undergrads about homosexual poetry.

Nevertheless, Confessions… is her first major release. Issued by Kscope (Steven Wilson, Anathema, Ian Anderson) and co-produced by Paul Draper of Mansun, it’s quite a proggy affair, all dulcet vocals over jaggedly melodic rock: Karen Carpenter meets King Crimson.

Actually, front-loaded as it is with awkwardly accessible would-be hits, with a more meditative “second side” suite of music, the model is Kate Bush’s Hounds Of Love, only updated for the 21st century.

I’m not po-faced and serious in ‘real life’. I don’t really have a secret stash of body parts in my bedroom.

“That’s the biggest compliment I could get. That’s what I wanted it to be. If I’ve got anywhere near achieving that, it’d be amazing,” says Davies, who admits she based the shape and structure of Confessions… on Hounds. “Side 1 ends with the song Popular, and then there’s a whole section where the tracks all bleed into one another like [Bush’s] modern classical abstract piece The Ninth Wave, and Chip On Your Shoulder is like Jig Of Life, if you want to continue the analogy.”

Davies grew up in Wales, steeped in her parents’ Carpenters and 10cc, ELO and Yes albums. Her earliest prog memory, she says, was the time her father – a paramedic involved in amateur theatre who sadly died during the recording of Confessions… – did the lighting for a Rick Wakeman show.

She calls herself a musical autodidact, learning to play multiple instruments as well as the rudiments of production. A brainy type, the PHD in “queer theory” describes her album’s overall concept as “deconstructing normative ideas of love and romance”, with each song sung by a different character – “what you might call a musical ghost-writing of sorts”.

She has another term for the album’s contents – ‘revenge pop’. One of the tracks is titled P.S. Fuck You. Revenge on who?

“All those people who didn’t think I could do it,” she replies. “Isn’t that what all musicians are doing? To prove people wrong. “I hope people pick up on the fact that it’s meant to be a funny record,” she adds, alluding to the title track. “There’s lots of dark humour and occasions when I’m trying to make Paul [Draper] laugh in the studio. I’m not po-faced and serious in ‘real life’. I don’t really have a secret stash of body parts and a shrine to Margaret Thatcher in my bedroom.”

Paul Lester

Paul Lester is the editor of Record Collector. He began freelancing for Melody Maker in the late 80s, and was later made Features Editor. He was a member of the team that launched Uncut Magazine, where he became Deputy Editor. In 2006 he went freelance again and has written for The Guardian, The Times, the Sunday Times, the Telegraph, Classic Rock, Q and the Jewish Chronicle. He has also written books on Oasis, Blur, Pulp, Bjork, The Verve, Gang Of Four, Wire, Lady Gaga, Robbie Williams, the Spice Girls, and Pink.

Latest in
Vera Farmiga in 2021
The Conjuring star Vera Farmiga announces debut album with her heavy metal band The Yagas
'Emo' Ed Sheeran busking
Watch Ed Sheeran cover Chappell Roan's Pink Pony Club on the New York subway while disguised as an emo busker
A close-up shot of the Marshall Major IV on-ear headphones on a turquoise, blue and black background.
I’ve never seen the Marshall Major IV headphones this cheap before - get them for half price in Amazon’s big spring sale
Evanescence in 2025
Evanescence release new song Afterlife from Devil May Cry TV series soundtrack, have their next album in the works
Tony Banks
“You only have to hear the opening sweep to reach for your lighter and wave it in the air”: Tony Banks' greatest Genesis moments
The Horrors
Ghouls Aloud: The Horrors come back from the dead with "a dazzling nocturnal spectacle of sombre reflections and oozing catharsis"
Latest in Features
Tony Banks
“You only have to hear the opening sweep to reach for your lighter and wave it in the air”: Tony Banks' greatest Genesis moments
Rick Astley and Rick Wakeman
“Rick Wakeman’s solo albums were just brilliant… when I heard he was doing Henry VIII at Hampton Court Palace, I bought 12 tickets”: Prog is the reason Rick Astley became a singer
Ozzy Osbourne, Paul McCartney, Robert Plant, Jim Morrison and Joe Strummer onstage
The greatest gig I've ever seen: 24 writers pick the most memorable live show of their lives
Marillion in 1984
From debauched prog revivalists to pioneers of the internet age: The Marillion albums you should definitely listen to
Mogwai
“The concept of cool and uncool is completely gone, which is good and bad… people are unashamedly listening to Rick Astley. You’ve got to draw a line somewhere!” Mogwai and the making of prog-curious album The Bad Fire
The Mars Volta
“My totalitarian rule might not be cool, but at least we’ve made interesting records. At least we polarise people”: It took The Mars Volta three years and several arguments to make Noctourniquet