The Frozen Few: The Rise Of Betraying The Martyrs

Never let geography keep you from your dream. If you want to be a cowboy then move to Texas, if you want to be a dictator then move to North Korea, and if you want to move to France to join a metalcore band, do it. That’s what Betraying The Martyrs frontman Aaron Matts did.

While working as a welder in a metal factory, with music a mere hobby, Aaron met BTM while they were touring England. When their former singer Eddie Czaicki left in 2010, Aaron took the call and moved to France to join the ranks, although he admits that it took a while to get the hang of the national etiquette…

“In France, you kiss girls if you know them or not, but you only kiss a dude if he’s your mate. I didn’t know that so I was kissing everyone!” he laughs.

Despite being so well known for kissing that full-on tonsil hockey is commonly regarded as a French invention, our cross-Channel neighbours are nowhere near as famous for their metal scene (and yes, we do know that Gojira exist).

“When the first album came out, our label put us on tours non-stop so it didn’t really matter where we’re from,” Aaron says. “We’re a band from France but the sound takes influences from all the bands we’ve toured with too, and we’re proud to have been influenced by them.”

Pleasingly, new album Phantom appears to have been influenced by tower block-sized beatdowns, shit-kicking polyrhythmic drums and even pop music. We’re not talking the polarising crossover splurge of Issues here, but there’s an undeniable pop sensibility to the melodies and choruses that elevate the deathcore craziness above the level of their increasingly timid peers. This is especially true of Let It Go – an ingenious cover of that song from Disney’s animated box office behemoth Frozen

“Our label suggested it,” Aaron says. “The song had been winning Oscars, it’s everywhere and it’s got a solid melody. It might scare off some old-school metal fans but I think it’s gonna bring in younger fans. That song kept me awake for days… those melodies were stuck in my head!”

Perhaps this is the future of metalcore? In a scene that’s steadily become overpopulated and stagnant, bands like Betraying The Martyrs are trying to break the mould and somehow attain a credible shelf life.

“Bands don’t last as long as they used to now. Bands come in and they’ll be poppin’ for a year and then boom, they’re gone!” Aaron admits knowingly, but does he resent being pitched against so many less adventurous bands?

“Everyone is making lyric videos, everything is easy nowadays,” he shrugs. “All of that stuff has hindered the scene in some ways but now we’re getting recognised in other countries and stuff, so it would be hypocritical to say I hate the way things are. I’m in a band and I love it. Why wouldn’t I want everyone to feel the same?”

Phantom is out now via Sumerian Records

Luke Morton joined Metal Hammer as Online Editor in 2014, having previously worked as News Editor at popular (but now sadly defunct) alternative lifestyle magazine, Front. As well as helming the Metal Hammer website for the four years that followed, Luke also helped relaunch the Metal Hammer podcast in early 2018, producing, scripting and presenting the relaunched show during its early days. He also wrote regular features for the magazine, including a 2018 cover feature for his very favourite band in the world, Slipknot, discussing their turbulent 2008 album, All Hope Is Gone.

Latest in
Mogwai
“The concept of cool and uncool is completely gone, which is good and bad… people are unashamedly listening to Rick Astley. You’ve got to draw a line somewhere!” Mogwai and the making of prog-curious album The Bad Fire
Adrian Smith performing with Iron Maiden in 2024
Adrian Smith names his favourite Iron Maiden song, even though it’s “awkward” to play
Robert Smith, Lauren Mayberry, Bono
How your purchase of albums by The Cure, U2, Chvrches and more on Record Store Day can help benefit children living in war zones worldwide
Cradle Of Filth performing in 2021 and Ed Sheeran in 2024
Cradle Of Filth’s singer claims Ed Sheeran tried to turn a Toys R Us into a live music venue
The Beatles in 1962
"The quality is unreal. How is this even possible to have?" Record shop owner finds 1962 Beatles' audition tape that a British label famously decided wasn't good enough to earn Lennon and McCartney's band a record deal
The Mars Volta
“My totalitarian rule might not be cool, but at least we’ve made interesting records. At least we polarise people”: It took The Mars Volta three years and several arguments to make Noctourniquet
Latest in Features
Mogwai
“The concept of cool and uncool is completely gone, which is good and bad… people are unashamedly listening to Rick Astley. You’ve got to draw a line somewhere!” Mogwai and the making of prog-curious album The Bad Fire
The Mars Volta
“My totalitarian rule might not be cool, but at least we’ve made interesting records. At least we polarise people”: It took The Mars Volta three years and several arguments to make Noctourniquet
Ginger Wildheart headshot
"What happens next, you give everyone a hard-on and then go around the room with a bat like Al Capone?!” Ginger Wildheart's wild tales of Lemmy, AC/DC, Guns N' Roses, Cheap Trick and more
Crispian Mills and Bob Ezrin
“We spent seven months on David Gilmour’s boat and almost bankrupted ourselves. But Bob encouraged us to dream big”: How Bob Ezrin brought out the prog in Kula Shaker
Buckethead and Axl Rose onstage
Psychic tests! Pet wolves! Chicken coops! Guns N' Roses and the wild ride towards Chinese Democracy
Ne Obliviscaris
"Exul ended up being recorded at 10 different studios over two and a half years." Ne Obliviscaris and the heroic story of their fourth album