"He's the ultimate songwriter, singer, lead guitarist and soundscaper... I don't think anyone can touch him": Why I ❤️ Neil Young, by Pearl Jam's Stone Gossard

Neil Young and Stone Gossard of Pearl Jam, Shoreline Amphitheatre, October 24, 2010
Neil Young and Stone Gossard of Pearl Jam, Shoreline Amphitheatre, October 24, 2010 (Image credit: Tim Mosenfelder/Getty Images)

"To be honest I hadn't really listened to Neil Young until he asked us to play with him on [Young's 1995 album] Mirrorball: that had a huge impact upon us and it was such a compliment. And when I went back and listened to all his albums they just blew me away. Even his most obscure records have songs that are so beautiful and so moving that you can't believe they weren't huge hits.

"I've been listening to [1994's] Sleeps With Angels a lot, and that's such a beautiful record - Western Hero is gorgeous, Trans Am is incredible and Change Your Mind is one of the most fantastic songs ever written, it's just ridiculous in the way it starts to climb each time for his solos. And this is one of the records that people don't even talk about much! Every era of his career is great and he's still making cool, interesting records.

"We learned so much from playing with him. I've seen him play 30 or 40 times now and every time is an education. He's the ultimate songwriter, singer, lead guitarist and soundscaper, he's in that Dylan zone. The way he mixes up distortion and feedback and blues and folk and rock and soul and noise is just inspirational. The way he digs solos out, just throttling his guitar is masterful. And he has the heaviest groove around. He just sits back, and where he puts the downbeat just feels so great, so perfect.

"Plus the simplicity of his chord changes is amazing. I'd have conversations with him where I'd say 'God Neil, I'm so excited, I love that new song where you're just playing three chords' and he'd go 'Yeah, you know lately I've been really into just two chords...' and it's like 'Wow! God!' When I was in high school [Mudhoney guitarist] Steve Turner said to me 'Don't learn to play your guitar, don't figure it out, just get a band and do it' and that was the most liberating thing I'd ever heard, I'd never in my life heard anyone talk about art that way. So when Neil Young says you should concentrate on writing songs, but just use two chords, that's incredibly liberating, it makes music sound like it's for everyone, not this complicated, untouchable thing. Imagine if people knew that they could write a hit song after just learning a chord or two, imagine how freeing that would be.

"Neil's as old as hell, but he's like a kid in terms of how excited he is about music. He's the ultimate, I don't think anyone can touch him. And he's a gentleman, definitely one of the good guys."

Paul Brannigan
Contributing Editor, Louder

A music writer since 1993, formerly Editor of Kerrang! and Planet Rock magazine (RIP), Paul Brannigan is a Contributing Editor to Louder. Having previously written books on Lemmy, Dave Grohl (the Sunday Times best-seller This Is A Call) and Metallica (Birth School Metallica Death, co-authored with Ian Winwood), his Eddie Van Halen biography (Eruption in the UK, Unchained in the US) emerged in 2021. He has written for Rolling Stone, Mojo and Q, hung out with Fugazi at Dischord House, flown on Ozzy Osbourne's private jet, played Angus Young's Gibson SG, and interviewed everyone from Aerosmith and Beastie Boys to Young Gods and ZZ Top. Born in the North of Ireland, Brannigan lives in North London and supports The Arsenal.