David Gilmour dazzles on the opening night of his tour in Rome: the first review!

David Gilmour
(Image credit: Jill Furmanovsky)

[CONTAINS SPOILERS] David Gilmour dazzled Rome on the opening night of his current world tour at the Circo Massimo, with a Pink Floyd-heavy set and stunning light show that sent the locals wild with delight.

The 78-year-old Pink Floyd singer and guitarist was in imperious form as he kicked off his current world tour in support of his recent No. 1 album Luck And Strange. It was Gilmour’s first official live show for eight years (he’d played two low-key ‘rehearsal’ shows in Brighton last weekend) and he will perform a further five shows here in Rome, before six further shows at London’s Royal Albert Hall in early October and then seven more dates in the USA.

David G

(Image credit: Jill Furmanovsky)

Cries of “We love you David” rang out all night around the venue that once hosted chariot racing for Ancient Romans, as Gilmour’s unmistakably fluid guitar tone introduced the instrumental 5 A.M. (from 2015’s Rattle That Lock) followed by new instrumental Black Cat and the title track of the new album, before the instantly recognisable tones of The Dark Side Of The Moon’s Breathe kicked off a run of Floyd numbers delighting the 18,000 fans. Time followed, complete with the classic clocks backing film on the large circular screen adorning the back of the stage, before a rousing Fat Old Sun from Atom Heart Mother, Marooned and Wish You Were Here had the whole crowd singing as one.

David Gilmour

(Image credit: Jill Furmanovsky)

Early on Gilmour acknowledged his new live band, featuring established bassist Guy Pratt and keyboardist extraordinaire Greg Phillinganes, alongside relative newcomers, guitarist Ben Worsley, besuited drummer Adam Betts (formerly of Prog faves Three Trapped Tigers) and second keyboard player Rob Gentry.

It’s the latter group of musicians, along with Charlie Andrew, producer of Luck And Strange (who is also here tonight), who seem to have invested Gilmour with a new creative zest and he’s certainly a happy fellow on stage tonight, proudly introducing daughter Romany for their delightful cover of The Montgolifer Brothers’ Between Two Points, before Floyd’s latter-day gem High Hopes ended the first half of the set.

David Gilmour

(Image credit: Jill Furmanovsky)

An epic rendition of Sorrow got the second set going on a high, Gilmour peeling off fiery licks and incendiary solos, while A Great Day For Freedom reinforces the point that this is Gilmour relaying what he feels are his finest moments, having recently clarified why certain past old favourites no longer feature. Ben Worsley duelled with Gilmour, both vocally and guitar, on a fearsome In Any Tongue, perhaps a surprise inclusion from Rattle That Lock, but the song has certainly never sounded better than it does right now.

The momentum dropped as Gilmour’s backing singers, the wonderful Webb Sisters, Charley and Hattie, Louise Marshall and Romany reworked The Great Gig In The Sky quite beautifully, with Gilmour on lap steel and Pratt on upright bass. It’s different enough to make you think, but respectful enough to have the whole crowd swaying to the haunting melody, while a moving A Boat Lies Waiting honoured Gilmour’s great friend, the late Pink Floyd keyboard player Rick Wright.

Gilmour might have fluffed the intro to Coming Back To Life, but simply laughed it off and it certainly didn’t stem the band’s flow as the tempo rose once more. The gritty Dark And Velvet Nights with its stunning accompanying visuals fired things up further and the epic sweep of Luck And Strange’s most obvious Floydian moment, Scattered, closed the second half of the set on a real high.

David Gilmour

(Image credit: Jill Furmanovsky)

As the band appeared for the encore the locals rushed the front of the stage, ignoring the hapless stewards' rather pitiful attempts to hold back the tide as the opening chords of Comfortably Numb rang out. Multiple lasers lit up the night sky, the locals sang like their lives depended on it and the band beamed with sheer delight as Gilmour, completely in his element, unleashing both of those well-known guitar solos with a passion and fire of a man half his age. It’s a welcome and timely reminder of just what a great musician David Gilmour is.

The Rome crowd went expectedly nuts. In two week’s time the Royal Albert Hall won’t know what’s hit it!

David Gilmour

(Image credit: Jill Furmanovsky)

David Gilmour Circo Massimo setlist 2024

Set 1

5 A.M.
Black Cat
Luck And Strange
Breathe
Time
Breathe (reprise)
Fat Old Sun
Marooned
Wish You Were Here
Vita Brevis
Between Two Points
High Hopes

Set 2

Sorrow
Piper's Call
A Great Day For Freedom
In Any Tongue
The Great Gig In The Sky
A Boat Lies Waiting
Coming Back To Life
Dark And Velvet Nights
Scattered

Encore:

Comfortably Numb

Jerry Ewing

Writer and broadcaster Jerry Ewing is the Editor of Prog Magazine which he founded for Future Publishing in 2009. He grew up in Sydney and began his writing career in London for Metal Forces magazine in 1989. He has since written for Metal Hammer, Maxim, Vox, Stuff and Bizarre magazines, among others. He created and edited Classic Rock Magazine for Dennis Publishing in 1998 and is the author of a variety of books on both music and sport, including Wonderous Stories; A Journey Through The Landscape Of Progressive Rock.