Prog Features
Latest Features on Prog

How Ne Obliviscaris became the first band to successfully crowdfund a world tour
By Cheri Faulkner published
Committed to a unique musical approach they’d developed over a decade, they feared they’d spend their careers trapped in the underground. And they expected a backlash when they asked for fan support – but they needn’t have worried

“Robert Fripp always has an excuse not to play”: Toyah Willcox is more than Mrs King Crimson
By Rob Hughes published
From post-punk icon and award-winning female solo artist to becoming regarded as just the prog mastermind’s wife, her rebellious creative energy is fired by Roxy Music, Devo, The Tubes and all things off the wall

Tim Smith’s Cardiacs story will end with long-awaited final album LSD
By Rob Hughes published
Members of the band who influenced Steven WIlson, Radiohead, Opeth, Andy Partridge and more explain what they did and why it mattered

How Primus told of goblins and rainbows while trying not to mention goblins and rainbows
By Fraser Lewry published
2017’s The Desaturating Seven was Les Claypool’s bid to explore the darkness of a 1970s children’s story, harnessing the influences of King Crimson, Tool and Sean Lennon

“I’m proud of Rush but I’ve moved on”: Alex Lifeson loves bringing solos to Envy of None
By Julian Marszalek published
The dark prog-pop band’s second album Stygian Wavs is confirmation they’re a band in their own right, even if they quickly abandoned attempts to work together in the same room

How Silent Lucidity became Queensrÿche’s biggest hit (second time around)
By Malcolm Dome published
The lead track from 1990’s Empire explores an unusual subject – but its singer argues it proved to be the right song at the right moment

Lifesigns’ John Young on Kate Bush’s baking, Frank Zappa’s humour and Patrick Moraz’s romance
By Grant Moon published
Keyboardist on Kate Bush’s baking, Frank Zappa’s humour, Patrick Moraz’s romance, Eva Cassidy’s mystery – and buying his own band’s album from Amazon

Why Can’s Irmin Schmidt calls Soon Over Babaluma “the last of our best albums”
By Chris Wheatley published
50 years after the release of Soon Over Babaluma, the founding keyboardist reflects on what he calls “the last of our best albums”

“Fans were tetchy; then all fears were allayed”: 11 great Rush songs from the 90s and beyond
By Prog published
The cream of the Canadian trio Rush's later years

“I’d like to be part of blowing the whistle”: Roger Waters’ Is This The Life We Really Want?
By Marcel Anders published
2017 solo album saw him determined to look forward as he said escaping Pink Floyd was like “driving away from a dodgy wedding with cans dragging behind the car, rattling all the time”

Hawkwind’s Dave Brock is against AI. He’s also against the prevalence of legalised drugs
By Julian Marszalek published
Even though a lost account password threatened production, 2023 concept album The Future Never Waits is a death-to-life analysis of why humans keep corrupting everything

If anything mostly worked out during Yes’ Union era, it was the accompanying tour
By Daryl Easlea published
The 1991 album remains a controversial work for many – but for most of the musicians from both sides of the Yes divide, the road trip was its saving grace

Fish, stalkers, being ripped off: Steve Rothery’s life and times with Marillion
By Mark Blake published
It’s always been about music for the veteran guitarist, although distractions have included catching fire at the band’s first gig, realising he should be much richer than he actually was, and an alternative career he came close to pursuing

How Big Big Train took on modern issues in old ways on Grimspound
By Dave Everley published
Released soon after Folklore, their 10th album merged mythology, astrology and astronomy to deliver Englishness to the world

If other Nordic folk bands overtake Wardruna, Einar Selvik doesn’t mind
By Rich Hobson published
Inspired by a bear, a moose and a wolf, new album Birna is extending the band’s “beautiful broken family” as they tell modern tales through ancient instruments

Katatonia ended a phase of doubt and gave shape to their Dead End King on City Burials
By Eleanor Goodman published
Jonas Renske didn’t stop writing when the dark Swedish troupe went on hiatus – which made it all the shorter

Adrian Belew on survival, orchestra music and Frank Zappa
By Sid Smith published
Now touring with King Crimson offshoot Beat, the Bowie, Shatner and Hancock collaborator has long been confident that the future is secure on the road – which pleases him because he loves it

When Captain Sensible tried and failed to tell the world about Egg
By Natasha Scharf published
When The Damned guitarist Captain Sensible tried to share his passion for early prog band Egg on a radio show, it didn’t go well. But he still loves their work

Ian Anderson: Jethro Tull’s one-legged hammy past and their potential stripped-down future
By James McNair published
Latest Jethro Tull album Curious Ruminant has Ian Anderson reflecting on his hammy stage performances of the past, working with William Shatner and Mikael Åkerfeldt, and how the band could have a back-to-basics future
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