Prog Features
Latest Features on Prog

“I was afflicted. I never conquered it, but I dealt with it”: Jethro Tull ex Martin Barre’s struggle with shyness
By David West published
His world changed when he realised that playing in bands meant he’d never have to dance

“The fact that its roots are in tragedy only adds to its poignancy”: Peter Gabriel and Kate Bush’s duet Don’t Give Up
By Daryl Easlea published
If a fatal accident hadn’t taken place on her one and only tour, the grief-ridden pair might never have been on stage together – robbing her of a career-changing revelation

“Pretentious, perhaps. But let’s call it pioneering”: Why we still love Genesis’ The Lamb Lies Down On Broadway
By Mike Barnes published
Surreal imagery, crediting classic poets and philosophers, trying to scare each other with freak-out jams, inspiration from mime artists… it’s without doubt the most adventurous music any member the band ever made

“It was career suicide, but it felt good”: Steve Morse took on a media mogul and got away with it
By Nick Shilton published
Guitarist worried about asking friends John Petrucci and Eric Johnson to guest on his new album – but decades ago he had no hesitation in confronting industry giant Clive Davis to get what he wanted

“We have an identity crisis”: Mike + The Mechanics’ history is a bit more rock’n’roll than Genesis’
By Mark Blake published
Spurred on by surprise early success, Mike Rutherford’s band endured a tough time with a demon-haunted singer, then a replacement who expected rehearsals to be all thought and no action

Cool new proggy sounds you need to hear from Crown Lands, System 7, Major Parkinson in Prog's Tracks Of The Week
By Jerry Ewing published
Great new prog from Myrkus, Godsticks, Koyo Bloom and more in this week's Tracks Of The Week

Judy Dyble was always amazed at the quality of her collaborators
By Mike Barnes published
In 2018, Fairport Convention’s first female vocalist found herself inspired by a trapped rainbow, a bad Elvis impersonator and her early work with Giles, Giles and Fripp

Jethro Tull's Ian Anderson on why the early Beatles were so dangerous
By Ian Anderson published
As a young teen, Jethro Tull’s Ian Anderson fell in love with the mop-top Beatles. But then he dug deeper and discovered something darker, druggier and way more dangerous

“It wasn’t working, whatever we tried. It created a negative association”: Why Rush hated Tom Sawyer at first
By Philip Wilding published
Geddy Lee committed bass heresy, Alex Lifeson fought for a solo sound, and even the mixing desk wouldn’t cooperate as the band struggled to record what would become their signature song

“If I find him haunting me, I’ll know I did something wrong”: How Cardiacs completed late leader Tim Smith’s album LSD
By Dom Lawson published
A brother who took over the band, a singer who struggled to keep the secret and a determination to do exactly what their late leader would have wanted led to the end of an 18-year journey

“I blame The Beatles for me getting a whacking!” Derek Shulman’s path to Gentle Giant
By Sid Smith published
Singer and future A&R icon recalls what the Fab Four meant to him, why Hendrix made him break up his first big band, and the truck stop where he met Syd Barrett, Eric Clapton and others

Prog-metallers Karnivool are back to reclaim their crown – if they don't die on stage first
By Henry Yates published
A 12-year gap between albums would see most bands lose fans and momentum, but not Australian prog-metal titans Karnivool

“It’s no good saying, ‘I’ll be dead by the time this becomes a crisis’”: Jethro Tull – a warning from history
By Malcolm Dome published
Ian Anderson believes he has a duty to tackle global issues, and argues it’s a very folky thing to do

“I felt like the John Lennon of Israel. But this is a ‘failure’ album”: The story of Blackfield V
By Paul Lester published
Aviv Geffen expressed deep admiration for Wilson on their fifth collaborative work – but also his jealousy over the Porcupine Tree leader’s success

Embrace Biffy Clyro’s Infinity Land as a prog album
By Emma Johnston published
The trio’s 2004 release is driven by a bullish, bloody-minded determination to challenge the listener

How to beat fate by scrapping an album, relating to a suicidal pilot and feeling for flat Earthers
By Johnny Sharp published
Norwegian artist makes music for commercials and knows how to hook someone in 30 seconds. That’s why he doesn’t want his band’s songs to be catchy

“I didn’t realise just how prog Genesis were”: When Rivers Meet’s Aaron Bond came late to the prog party
By Julian Marszalek published
Blues guitarist discusses his passion for Phil Collins and co’s latterday work
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