Prog Reviews
Latest Reviews on Prog

Frank Zappa’s unaired TV special Cheaper Than Cheep is a recovered gem
By Jeremy Allen published
A nearly forgotten 1974 afternoon show, with an audience of 100 and a short-lived Mothers line-up, rises from the avant-prog titan’s basement

NoSound’s To The Core could be a masochistic experience – but it’s worth it
By Grant Moon published
In these difficult times, it could be a masochistic experience for some – but it’s thoughtful, sensitive and worth it

Mike Oldfield’s personal bravery shines throughout Hergest Ridge: 50th Anniversary
By Sid Smith published
Long overshadowed by illustrious predecessor Tubular Bells, his 1974 hymn to the British landscape has never sounded so brooding or beautiful

“Lyric-led music in contrast with his King Crimson work”: Jakko M Jakszyk’s Son Of Glen
By Johnny Sharp published
True life informs the versatile guitarist’s first post-Crimson solo release, with plenty to pique interest even if it veers away from traditional prog

"Fuelled by a cartoonish energy”: Atomic Rooster’s Atomic Rooster, remastered and expanded
By Joe Banks published
The proto-prog trio’s crunching 80s revamp revisited, with extras and a live set

Brian Eno and Beatie Wolfe’s Luminal and Lateral are a double victory
By Julian Marszalek published
Stunning collaboration yields two albums that are different – while also, somehow, the same

“He seems determined to prove he can sound unlike Genesis”: Nad Sylvan’s Monumentata
By Chris Roberts published
Best known as Steve Hackett’s live vocalist, he moves away from his usual tone with darker, more personal music than his earlier solo output

“Rick Wakeman-like piano flair and an agile, crystalline voice”: Renaissance’s Running Hard
By James McNair published
Clamshell set illustrates a wondrous purple patch of symphonic prog-folk from Annie Haslam and co

Katatonia’s new era begins with Nightmares As Extensions Of The Waking State
By Dom Lawson published
Sweden’s melancholic masters successfully navigate recent choppy waters to deliver their lucky 13th album

“There’s no denying its compositional prowess”: Greenslade’s Large Afternoon Expanded
By James McNair published
Fruits of their short-lived new-millennium reunion provides nostalgia and commentary, with live tracks containing more meat and punch

“His carefree aesthetic is wonderfully captured’”: Kevin Ayers’ Shooting At The Moon
By Julian Marszalek published
Canterbury icon’s erratic second album, on vinyl for the first time, shines with the contributions of Mike Oldfield and Lol Coxhill

“Is this a feel-bad album?”: 10th anniversary edition of Bruce Soord’s solo debut
By David West published
New vinyl version proves that songs he writes outside The Pineapple Thief’s domain still deserve to be heard

Gentle Giant’s Playing The Fool – The Complete Live Experience is an exceptional work
By Daryl Easlea published
The real-life running order is reinstated, audience sound is returned and Derek Shulman’s song introductions are heard in souped-up version of 1977 classic

Anthony Phillips’ remastered, extended Sail The World is literally yacht music
By David West published
It’s smooth sailing in every sense from the original Genesis guitarist, packed with extensive insight and unheard material

Gong’s 10th anniversary edition of I See You casts Daevid Allen’s final work in a new light
By Jeremy Allen published
Subtle touches mark the full-circle moment when Allen – who still had plenty to say – put his band in the hands of Kavus Torabi, and the wheel moved on

Pentangle’s The Albums: 1968-1972: a lavish celebration of folk’s first supergroup
By James McNair published
Box set featuring their first six records is enhanced with out-takes, live tracks and solo material by Bert Jansch and John Renbourn

A surrogate for Yes – but The Flower Kings’ Love is a fully-achieved ambition
By Fraser Lewry published
It’s the rebooted band’s fifth album in less than six years, but it doesn’t sound like they’re running out of ideas
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