“They’ve dialed back abrasiveness in favour of a smoother sound”: Swallow The Sun’s Shining
New producer helps Finnish dark proggers explore their more accessible side on ninth album
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"A Frost* double concept album – who could quibble?” Life In The Wires is quite marvellous
Keyboard and guitar solos are back in abundance as Jem Godfrey and his ‘classic’ line-up mixes the best atrributes of their previous four albums into something quite marvellous
Two life stories intertwine in Jakko M Jakszyk’s memoir Who’s The Boy With The Lovely Hair?
His colourful life and remarkable times feature Sir Richard Attenborough, The Nolan Sisters, Ruud Gullit, Michael Jackson (and Morris Minor And The Majors’ Stutter Rap)
“Curiously retro, these tunes are mostly short and to the point”: Steve Howe’s Guitarscape
Inspired by a new synth, the Yes veteran has created something of a taster showreel in his latest outing with son Dylan
“This album aims for both head and heart”: Public Service Broadcasting’s The Last Flight
J Willgoose, Esq and co apply their trademark take to the story of her 1937 disappearance in the Central Pacific
“There are two experiences on offer here”: Curved Air’s Rarities Series box set
Six out-of-print discs span decades, with offerings for completists alongside a particularly pleasing 1972 live performance
"Fearlessly miserable”: Ultravox’s 40th anniversary edition of Lament
Classy reissue package includes contributions from Steven Wilson and Moby, plus live show that proves they could deliver on stage too
“They aim for the arena rock jugular from the outset”: Lesoir’s Push Back The Horizon
Dutch pomp-proggers’ work with storied studio team brings them close to symphonic metal at times, with each song brought to a powerful finish
“Occasionally downbeat but there’s an excitement that’s uplifting”: Stuckfish’s IV
New keyboardist and new label gives the British melodic proggers the perfect platform to deliver on expectations
“Seat-of-the-pants stuff served by a revelatory sound mix”: King Crimson’s Sheltering Skies
1982 live set, previously part-released as The Noise, finds the post-Discipline line-up repurposing prog
“An unlikely mix of people, a maverick approach to songs”: Jordan Rudess’ Permission To Fly
Dream Theater keyboardist hired former Enid singer Joe Payne and a cosmetic dentist to perform material around lyrics by his daughter
”Raw and confessional”: Pure Reason Revolution’s Coming Up To Consciousness
Sixth album examines our final destination and demonstrates there’s no rule book for grieving
“No pale rehash of former glories”: Jon Anderson And The Band Geeks’ True
Team player returns to prog with collaborators he discovered covering Yes songs
David Gilmour’s Luck And Strange has all his trademarks, but there are new elements too
Fifth solo album carries all the Pink Floyd mastermind’s trademarks, but there are notable differences too
“Another very good year”: Ring The Bells And Sing – Progressive Sounds Of 1975 box set
With Yes and Genesis between albums, Camel, Renaissance, Gentle Giant, Be Bop Deluxe, Soft Machine, Steve Hillage and Steve Hackett were among those proved here to be keeping the quality high
Mike Cormack’s Everything Under The Sun: The Complete Guide To Pink Floyd
Academic delivers trainspotterly detail with a personal touch in his in-depth analysis of the band’s work and achievements
Leprous ditch the excess baggage on Melodies Of Atonement
Einar Solberg isn’t sure their eighth album is prog, although there’s plenty of evidence to argue otherwise
“They sound like a prog pop band built for enormodomes”: Meer’s Wheels Within Wheels
Norwegian sibling-powered band increase the drama and bombast on perfectly-produced third album
Tim Bowness displays a stunning change of pace with Powder Dry
His voice is as mellifluous as ever – but with songs averaging around two minutes long, this dynamic album feels like a reset
