Airbag: The Greatest Show On Earth

Their boldly-titled third proves these Norwegians would.

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

Airbag’s second album, 2011’s All Rights Removed was a strong enough piece of work, its blend of complex arrangements and tuneful delivery ensuring it regular spins on the Prog stereo. And yet it seemed to come and go in flash, and was swiftly forgotten. Were the same fate to befall this follow-up, we’d be doing everyone a disservice.

The Greatest Show On Earth has already been described on the Prog website as being ‘deeper and darker’ than previous works, it’s interesting to note that the press release suggests fans of Pink Floyd, Porcupine Tree, Talk Talk and Anathema will find much to savour therein. Bold talk indeed, but while there are certainly sounds on the album to bring these bands to mind, this Norwegian band mostly sound like their own outfit here, and not some prog-by-numbers cabaret act.

That said, Bjorn Riis’ guitar tone does bear a stylistic similarity with a certain Mr Gilmour, and the chords used in the closing epic Surveillance (Parts 2-3) brings to mind the decreasing refrains Pink Floyd would use on something like Shine On You Crazy Diamond. The Greatest Show On Earth does not sound like a Floyd rip-off, however.

Bookended by the that three-parter, Surveillance, it opens in stridently up-tempo mode, an almost short sharp shock in comparison to the rest of the material on offer, not least the 16-plus minutes of the second and third parts closing the record. It’s a strong statement, which pays off due in large part to the band’s sheer daring, their scope of vision. Of the smaller tracks, the angular Redemption brings to mind some of Porcupine Tree’s more recent material, with a vocal performance that echoes Steven Wilson’s sense of detachment.

Silence Grows is a song that evolves as its title implies, building slowly up towards a crescendo of cascading guitars that really is quite thrilling. Best of all, however, is the title track itself, a swirling maelstrom of everything the band have tried to achieve on The Greatest Show On Earth, compacted down into just a fraction over seven minutes. Never more than on this cut do the band sound like one taking that emboldened stride into previously uncharted territories, and it makes for scintillating listening.

So, while not everything on The Greatest Show On Earth hits the bullseye as accurately as the title track, there’s nothing on show that suggests that by having such unashamed ambition, Airbag are in any way over-reaching. Indeed, it’s a confident step in the right direction, so much so you’re led to believe that album number four really could be the big one.

Jerry Ewing

Writer and broadcaster Jerry Ewing is the Editor of Prog Magazine which he founded for Future Publishing in 2009. He grew up in Sydney and began his writing career in London for Metal Forces magazine in 1989. He has since written for Metal Hammer, Maxim, Vox, Stuff and Bizarre magazines, among others. He created and edited Classic Rock Magazine for Dennis Publishing in 1998 and is the author of a variety of books on both music and sport, including Wonderous Stories; A Journey Through The Landscape Of Progressive Rock.

Latest in
Adrian Smith performing with Iron Maiden in 2024
Adrian Smith names his favourite Iron Maiden song, even though it’s “awkward” to play
Robert Smith, Lauren Mayberry, Bono
How your purchase of albums by The Cure, U2, Chvrches and more on Record Store Day can help benefit children living in war zones worldwide
Cradle Of Filth performing in 2021 and Ed Sheeran in 2024
Cradle Of Filth’s singer claims Ed Sheeran tried to turn a Toys R Us into a live music venue
The Beatles in 1962
"The quality is unreal. How is this even possible to have?" Record shop owner finds 1962 Beatles' audition tape that a British label famously decided wasn't good enough to earn Lennon and McCartney's band a record deal
The Mars Volta
“My totalitarian rule might not be cool, but at least we’ve made interesting records. At least we polarise people”: It took The Mars Volta three years and several arguments to make Noctourniquet
/news/the-darkness-i-hate-myself
"When the storm clouds clear, the band’s innate pop sensibilities shine as brightly as ever": In a world of bread-and-butter rock bands, The Darkness remain the toast of the town
Latest in Review
/news/the-darkness-i-hate-myself
"When the storm clouds clear, the band’s innate pop sensibilities shine as brightly as ever": In a world of bread-and-butter rock bands, The Darkness remain the toast of the town
Sex Pistols at the RAH
"Open the dance floor, you’ll never get to do it again." Forget John Lydon's bitter and boring "karaoke" jibes, with Frank Carter up front, the Sex Pistols sound like the world's greatest punk band once more
Arch Enemy posing in an alleyway
Arch Enemy promised they'd throw out the rule book for Blood Dynasty. They didn't go quite that far, but this is the boldest album of the Alissa White-Gluz era - and it kicks ass
The Darkness press shot
"Not just one of the best British rock albums of all time, but one of the best debut albums ever made": That time The Darkness added a riot of colour to a grey musical landscape
Roger Waters - The Dark Side of the Moon Redux Deluxe Box Set
“The live recording sees the piece come to life… amid the sepulchral gloom there are moments of real beauty”: Roger Waters' Super Deluxe Box Set of his Dark Side Of The Moon Redux
Cradle Of Filth Press Shot 2025
Twiddly Iron Maiden harmonies, thrash riffs, horror, rapping (kind of) and sexy goth allure: The Screaming Of The Valkyries is peak Cradle Of Filth