"Warren Haynes and Derek Trucks effortlessly recreate Duane Allman and Dickey Betts' searing guitar lines": The Allman Brothers Band's final show, officially preserved for all time

The Allmans' big finish, recorded live at the Beacon Theater, New York

Allman Brothers Band: Final Concert 10-28-14 cover art
(Image: © Peach)

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Guitarists Warren Haynes and Derek Trucks lower themselves gently into the Allman Brothers’ final farewell at New York’s Beacon Theatre on 28 October 2014, conscious that they are beginning a four-and-a-half-hour show. After the sweet instrumental Little Martha and an abridged four-minute Mountain Jam (an eighth of the length the band could muster back in the day) they launch into track one, side one of the band’s self-titled 1969 debut, Don’t Want You No More, and the show is up and running.

Haynes and Trucks effortlessly recreate the searing guitar lines that Duane Allman and Dickey Betts made the cornerstone of the band’s sound. The other elements, like the dual drummer plus percussionist that kept up a rolling thunder behind the guitars and Gregg Allman’s plaintive keyboards and vocals, are still intact.

Allman Brothers Band - Dreams (Live at Beacon Theatre, New York, NY, 3/26/2009) [Remastered 2021] - YouTube Allman Brothers Band - Dreams (Live at Beacon Theatre, New York, NY, 3/26/2009) [Remastered 2021] - YouTube
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The show is heavy on the Duane-era of the band and includes Gregg’s Ain’t Wasting Time No More which he wrote for his brother after his death. And midway through a “proper” 20-minute Mountain Jam they segue into Will The Circle Be Unbroken which they played at Duane’s funeral. It’s left to Haynes to pay tribute to Dickey Betts (who left the band in 2000) by singing Blue Sky.

The only relatively recent song is The High Cost Of Low Living from 2003’s Hittin’ The Note. After a rousing 16-minute Whipping Post, the normally taciturn Gregg gives a short but eloquent speech before leading the band into the first song they ever played together – Muddy WatersTrouble No More.

Hugh Fielder

Hugh Fielder has been writing about music for 47 years. Actually 58 if you include the essay he wrote about the Rolling Stones in exchange for taking time off school to see them at the Ipswich Gaumont in 1964. He was news editor of Sounds magazine from 1975 to 1992 and editor of Tower Records Top magazine from 1992 to 2001. Since then he has been freelance. He has interviewed the great, the good and the not so good and written books about some of them. His favourite possession is a piece of columnar basalt he brought back from Iceland.