Reviews archive
October 2017
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215 articles
- October 27
- October 26
- October 25
- October 12
- October 11
-
- Suffocation/Unfathomable Ruination/Lunatic Hooker at Underworld, London - live
- Fen/The King Is Blind/ Domitorem at Lounge 666, London - live review
- Grave Miasma/Drowned/Craven Idol/Crypts Of Despair at Boston Music Room - live
- Vallenfyre\ Implore\ Terra at Boston Music Room, London - live review
- Coven and Galley Beggar at The Dome, London - live review
- Beyond The Gates: Bjørgvin Black Mass at USF Verftet, Bergen - live review
- October 10
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- Usnea - Portals Into Futility album review
- Syn Ze Sase Tri - Za˘ul Mos album review
- Stahlsarg - Mechanisms Of Misanthropy album review
- Process Of Guilt - Black Earth album review
- Iron Monkey - 9-13 album review
- Mork - Eremittens Dal album review
- Haemorrhage - We Are The Gore album review
- Fleurety - The White Death album review
- Firebreather - Firebreather album review
- Hallatar - No Stars Upon The Bridge album review
- All Pigs Must Die - Hostage Animal album review
- Exhumed - Death Revenge album review
- The Body & Full Of Hell - Ascending A Mountain Of Heavy Light album review
- Black Mare - Death Magick Mother album review
- Biblical - The City That Always Sleeps album review
- Bell Witch - Mirror Reaper album review
- Antiversum - Cosmos Comedenti album review
- Antarktis - Ildlaante album review
- Amenra - Mass VI album review
- Loathe and The Harbinger at Black Heart, London - live review
- Cattle Decapitation and Broken Hope at Fuel, Cardiff - live review
- Life Of Agony at Electric Ballroom, London - live review
- Shining (Nor)/The Physics House Band/This Be The Verse at Underworld - live
- While She Sleeps at St Pancras Old Church, London - live review
- Satyricon at Barcode KLP Building, Oslo - live review
- Slipknot - Day Of The Gusano review
- Zaius - Of Adoration album review
- Veil Of Maya - False Idol album review
- Thousand Below - The Love You Left Too Close album review
- Then Comes Silence - Blood album review
- Stray From The Path - Only Death Is Real album review
- Stick To Your Guns - True View album review
- Spotlights - Seismic album review
- October 9
-
- Perturbator - New Model album review
- Mastodon - Cold Dark Place album review
- Sons Of Texas - Forged By Fortitude album review
- Skarlett Riot - Regenerate album review
- Savage Messiah - Hands Of Fate album review
- Red Mountains - Slow Wander album review
- Primus - The Desaturating Seven album review
- Nothing More - The Stories We Tell Ourselves album review
- Ne Obliviscaris - Urn album review
- Enslaved - E album review
- Electric Wizard - Wizard Bloody Wizard album review
- My Ticket Home - unReal album review
- Klogr - Keystone album review
- Idylls - The Barn album review
- Hollywood Undead - Five album review
- The Haxans - Party Monsters album review
- H.E.A.T - Into The Great Unknown album review
- GWAR - The Blood Of Gods album review
- Cannibal Corpse - Red Before Black album review
- The Black Dahlia Murder - Nightbringers album review
- The Great Discord - The Rabbit Hole album review
- Fozzy - Judas album review
- Cyhra - Letters To Myself album reiew
- Canvas - Worry album review
- Converge - The Dusk in Us album review
- Trivium - The Sin And The Sentence album review
- XTC - This Is Pop review
- L7 - Pretend We’re Dead review
- Jeff Beck - Live At Hollywood Bowl review
- Steely Dan FAQ by Anthony Robustelli review
- Transformer - Lou Reed and Mick Rock review
- The Who - Tommy Live At The Royal Albert Hall review
- Earthbound: David Bowie And The Man Who Fell To Earth by Susan Compo review
- What Does This Button Do? by Bruce Dickinson review
- Steve Miller Band - Ultimate Hits album reviews
- Various Let The Electric Children Play – The Underground Story... album review
- U-Men - U-Men album review
- Ace Frehley - Anomaly Deluxe album review
- The Tubes - The A&M Years album review
- Bark Psychosis's Hex: "The mark they left is indelible"
- John Lee Hooker - King Of The Boogie album review
- Grand Funk Railroad - Trunk Of Funk Vol 1/Trunk Of Funk Vol 2 album review
- ELP - Fanfare: Emerson, Lake & Palmer 1970-1997 album review
- Flock Truth – Columbia Recordings 1969-70 album review
- The Sisters Of Mercy - Some Girls Wander By Mistake album review
- The Smiths - The Queen is Dead – Deluxe Edition album review
- The Residents - 80 Aching Orphans album review
- Montrose - Deluxe Edition Reissues album review
- Airbourne - Diamond Cuts album review
- The Jam - 1977 album review
- Stray - All In Your Mind: The Transatlantic Years 1970-1974 album review
- Sex Pistols - More Product album review
- Dr. John - The Atco Albums Collection album review
- Whitesnake - 1987: Super Deluxe Edition album review
- October 8
- October 7
- October 6
-
- Death From Above - Outrage! Is Now album review
- GWAR - The Blood Of Gods album review
- Electric Wizard - Wizard Bloody Wizard album review
- Damn Freaks - Damn Freaks album review
- The White Buffalo - Darkest Darks, Lightest Lights album review
- Lukas Nelson & Promise Of The Real - Lukas Nelson & Promise Of...album review
- Motorpsycho - The Tower album review
- Europe - Walk The Earth album review
- Il Cerchio D’oro - Il Fuoco Sotto La Cenere album review
- Long John & The Killer Blues Collective - Heavy Electric Blues album review
- Gwyn Ashton - Solo Elektro album review
- Savoy Brown - Witchy Feelin’ album review
- Mollie Marriott - Truth Is A Wolf album review
- PP Arnold - The Turning Tide album review
- Orestea - Elements album review
- Robin Beck - Love Is Coming album review
- Eloy - The Vision, The Sword & The Pyre album review
- Bruford - Bruford 1977-1980: Seems Like A Lifetime Ago album review
- Wayward Sons - Ghosts Of Yet To Come album review
- Gokcen Kaynatan - Gokçen Kaynatan album review
- ELO - Out Of The Blue album review
- Dantalian’s Chariot - Chariot Rising: Remastered Edition album review
- John Carpenter - Anthology: Movie Themes 1974-1998 album review
- The Electric Shakes - Electrohypnosis album review
- Emerson, Lake & Palmer - Fanfare: 1970-1997 album review
- Wobbler - From Silence To Somewhere album review
- White Manna - Bleeding Eyes album review
- Jane Weaver -The Architect album review
- Vuur - In This Moment We Are Free – Cities album review
- Trojan Horse - Fukushima Surfer Boys album review
- Philip Selway - Let Me Go (Official Soundtrack) album review
- Tangerine Dream - Quantum Gate album review
- Sons Of Apollo - Psychotic Symphony album review
- Sai Cobab - Sab Se Purani Bab album review
- Oddfellow’s Casino - Oh, Sealand album review
- Nordic Giants - Amplify Human Vibration album review
- My Soliloquy - Engines Of Gravity album review
- Mordecai Smyth -The Mayor Of Toytown Is Dead album review
- John Maus - Screen Memories album review
- Primus - The Desaturating Seven album review
- PFM - Emotional Tattoos album review
- King Gizzard & The Lizard Wizard - Sketches Of Brunswick East album review
- Kansas - Leftoverture Live & Beyond album review
- Psychedelic prog album reviews round-up
- Hawklords - Six album review
- Godspeed You! Black Emperor - Luciferian Towers album review
- Gilroy Mere -The Green Line album review
- Ben Frost - The Centre Cannot Hold album review
- Focus - The Focus Family Album review
- Circuit Des Yeux - Reaching For Indigo album review
- Godsticks - Faced With Rage album review
- October 5
-
- Cathédrale - J2=B2 album review
- The War On Drugs - A Deeper Understanding album review
- Brooklyn Raga Massive - Terry Riley In C album review
- Neil Finn - Out Of Silence album review
- L.A. Guns - The Missing Peace album review
- Sons Of Texas - Forged By Fortitude album review
- Brockmann // Bargmann - Licht album review
- Oh Sees - Orc album review
- The Professionals - What In The World album review
- And So I Watch You From Afar - Endless Shimmering album review
- Ancient VVisdom - 33 album review
- Focus - Hocus Pocus Box album review
- Acqua Fragile - A New Chant album review
- John Hackett at East Molesey Methodist Church, Surrey - live review
- Anthony Phillips - Invisible Men album review
- Daniel Cavanagh - Monochrome album review
- Sonja Kristina - Anthology album review
- Divisionists at The Betsy Trotwood, London - live review
- Kindred Spirit at The Mill, Plumstead - live review
- The Pineapple Thief - Where We Stood DVD review
- 100 Migliori Dischi Del Progressive Italiano by Mox Cristadoro - book review
- Justin Hayward at Cliffs Pavilion, Southend - live review
- Shirley Collins - The Ballad Of Shirley Collins DVD review
- Dream Theater at Palais Theatre, Melbourne - live review
- Robert Reed - Sanctuary Live DVD review
- Minami Deutsch at Shacklewell Arms, London - live review
- William D Drake at New Cross Inn, London - live review
- Peter Hammill - From The Trees album review
- October 4
-
- Swingin’ Bitch - Swingin’ Bitch album review
- Johnny 2 Fingers & The Deformities - Built To Rock ’N Roll album review
- Overdrivers - Rockin’ Hell album review
- Juliette Seizure And The Tremor Dolls - Seizure Salad album review
- The Curse - Calcutta Sunrise album review
- Gizmodrome - Gizmodrome album review
- Arcane Roots - Melancholia Hymns album review
- Otherkin - OK album review
- Thunderstick - Something Wicked This Way Comes album review
- Lionize - Nuclear Soul album review
- Walter Trout - We’re All In This Together album review
- The Necromancers - Servants Of The Salem Girl album review
- Stan Bush - Change The World album review
- David Crosby - Sky Trails album review
- Ronnie Montrose - 10x10 album review
- Bigfoot - Bigfoot album review
- Steve Hill - Solo Recordings Volume 3 album review
- Sons Of Apollo - Psychotic Symphony album review
- Brand New - Science Fiction album review
- October 2
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- Robert Plant - Carry Fire album review
- The Pineapple Thief at ULU, London - live review
- The KVB at Oslo, London - live review
- Mostly Autumn at Islington Academy, London - live review
- Haken at The Foundry, Philadelphia - live review
- Ayreon Universe at Poppodium 013, Tilberg - live review
- Yestival at Microsoft Theater, Los Angeles - live review
