Asking Alexandria's See What's On The Inside: an outrageously infectious ode to classic rock

Asking Alexandria trade in their metalcore roots for massive classic rock sound

Asking Alexandria See What's On The Inside Cover
(Image: © Better Noise Music)

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

Leaving the security of label Sumerian for the first time in their 12-year career seemed to spell uncertainty for the future of Asking Alexandria, especially considering their sound has changed almost beyond recognition since the Stand Up And Scream days. However, the fact that their seventh album comes to Better Noise only a year after the last quells all concerns that these guys are by any means winding up to a close. Where 2017’s self-titled album stepped out of the metalcore shadows and into the hard rock unknown, then Like A House On Fire settled into their new sensibilities, this latest venture bathes in the glow of a genre that feels far more comfortable than their heavier roots.

The band’s most collaborative effort in a decade, produced while locked away together in a house in Tennessee, pays homage to their classic rock inspirations with AA’s inimitable stamp slapped upon it, mixing compelling anthems with deeply personal reflective odes, sometimes simultaneously. Even while Alone Again exudes contagious hard rock, each note is laced with the poignancy that later bursts through Find Myself and You’ve Made It This Far.

For those still seeking a glimmer of nostalgia, the classic Asking Alexandria sound cleverly bubbles away under the surface and guides proceedings throughout. Faded Out and If I Could Erase It expose undertones of early AA’s melodic carnage, closing the album on a dual-threat that juggles the best of both worlds. Fame bleeds their trademark sass-laden Not The American Average vibe, blending in an addictive Led Zeppelin-esque riff that carries into The Grey’s beautifully unpredictable curtain call. This is the outrageously infectious sound of a band revelling in their influences and the creativity they inspire.

See What's On The Inside is out October 1 via Better Noise Music

Read more
Architects in 2024
Architects sound absolutely livid on The Sky, The Earth & All Between - and it's made for one of the best metal albums of 2025 so far
Killswitch Engage in 2024
"The vocals make David Vincent sound like Sabrina Carpenter." This Consequence is the heaviest Killswitch Engage album in over a decade. And it absolutely slaps
Lacuna Coil press pic 2024
"Gothic metal’s crown isn’t going anywhere anytime soon." Lacuna Coil go heavier than ever on Sleepless Empire with help from guests Ash Costello and Randy Blythe
Arch Enemy posing in an alleyway
Arch Enemy promised they'd throw out the rule book for Blood Dynasty. They didn't go quite that far, but this is the boldest album of the Alissa White-Gluz era - and it kicks ass
Whitechapel Press 2025
"An unhinged arsenal of screams and gutturals as he narrates the tale of a demonic cult." Whitechapel just made one of this year's most brutally intense metal albums
Tremonti
"If this album had been released 25 years ago, it would have been a revelation." New Tremonti record The End Will Show Us How is just about what you'd expect, but it's pretty damn good all the same
Latest in
Adrian Smith performing with Iron Maiden in 2024
Adrian Smith names his favourite Iron Maiden song, even though it’s “awkward” to play
Robert Smith, Lauren Mayberry, Bono
How your purchase of albums by The Cure, U2, Chvrches and more on Record Store Day can help benefit children living in war zones worldwide
Cradle Of Filth performing in 2021 and Ed Sheeran in 2024
Cradle Of Filth’s singer claims Ed Sheeran tried to turn a Toys R Us into a live music venue
The Beatles in 1962
"The quality is unreal. How is this even possible to have?" Record shop owner finds 1962 Beatles' audition tape that a British label famously decided wasn't good enough to earn Lennon and McCartney's band a record deal
The Mars Volta
“My totalitarian rule might not be cool, but at least we’ve made interesting records. At least we polarise people”: It took The Mars Volta three years and several arguments to make Noctourniquet
/news/the-darkness-i-hate-myself
"When the storm clouds clear, the band’s innate pop sensibilities shine as brightly as ever": In a world of bread-and-butter rock bands, The Darkness remain the toast of the town
Latest in Review
/news/the-darkness-i-hate-myself
"When the storm clouds clear, the band’s innate pop sensibilities shine as brightly as ever": In a world of bread-and-butter rock bands, The Darkness remain the toast of the town
Sex Pistols at the RAH
"Open the dance floor, you’ll never get to do it again." Forget John Lydon's bitter and boring "karaoke" jibes, with Frank Carter up front, the Sex Pistols sound like the world's greatest punk band once more
Arch Enemy posing in an alleyway
Arch Enemy promised they'd throw out the rule book for Blood Dynasty. They didn't go quite that far, but this is the boldest album of the Alissa White-Gluz era - and it kicks ass
The Darkness press shot
"Not just one of the best British rock albums of all time, but one of the best debut albums ever made": That time The Darkness added a riot of colour to a grey musical landscape
Roger Waters - The Dark Side of the Moon Redux Deluxe Box Set
“The live recording sees the piece come to life… amid the sepulchral gloom there are moments of real beauty”: Roger Waters' Super Deluxe Box Set of his Dark Side Of The Moon Redux
Cradle Of Filth Press Shot 2025
Twiddly Iron Maiden harmonies, thrash riffs, horror, rapping (kind of) and sexy goth allure: The Screaming Of The Valkyries is peak Cradle Of Filth