You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

‘Now is the time for Metal Resistance, with Babymetal, metal, metal, metal, metal…’ And so the dramatic, Star Wars-style voiceover intro finishes, and the pounding drums of BABYMETAL DEATH break through, and the crowd begins to scream. Live At Wembley is a faithful recording of their biggest UK show last April, and a historical document – they became the first Japanese act to conquer the venue. But more than that, it’s an uplifting burst of energy that’s most welcome in these bleak midwinter times. The life in these songs is undeniable, bubbling over in the bubblegum lyrics of Awadama Fever, the lift-off chorus of KARATE, and the fist-pumping refrain of Megitsune. They’ve been written to slay arenas, and sound absolutely massive when unleashed in their natural environment, the Kami Band’s metal riffs and solos weaving expertly around the girls’ bright voices. The only criticisms are that the gaps of silence between songs sound jarring, and the set’s been cut down from 17 songs to 13. The omissions are all from their first, self-titled record, making it clear that Babymetal are focused on moving ever forward into their Fox-God-ordained future. But these are minor quibbles. Babymetal are a true phenomenon, and Wembley is only the beginning…

Eleanor was promoted to the role of Editor at Metal Hammer magazine after over seven years with the company, having previously served as Deputy Editor and Features Editor. Prior to joining Metal Hammer, El spent three years as Production Editor at Kerrang! and four years as Production Editor and Deputy Editor at Bizarre. She has also written for the likes of Classic Rock, Prog, Rock Sound and Visit London amongst others, and was a regular presenter on the Metal Hammer Podcast.

Latest in