Dawn Of Azazel: The Tides Of Damocles

Unsettling Kiwi killers continue their deathly revolution

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

It’s hard to pinpoint what it is that makes Antipodean extreme metal so distinctive, but a new Dawn Of Azazel record does much to reaffirm the idiosyncratic approach that may or may not be a direct result of too much sunshine and shit lager.

If New Zealand has ever struck you as a beautiful and peaceful place to live, these slaves to abhorrence continue to present a powerful counter-argument.

The Tides Of Damocles is unnerving in its violent precision and startling in its disregard for structural conformity, with numerous lissom rhythmic twists and turns and atmospheric switcheroos helping to strengthen the impact of this band’s riff-driven core. The scattershot percussive attack that underpins Irresistible Foe hints at a kinship with the likes of Psycroptic and Gorod, but the warped subtleties lurking within the riffs and chord progressions of Vassalplasty and Controlled Burn are what gives this such an air of edginess. It climaxes with Tarnished Gold: nine minutes of gruelling menace that’s a mark of their great fearlessness.

Dom Lawson
Writer

Dom Lawson has been writing for Metal Hammer and Prog for over 14 years and is extremely fond of heavy metal, progressive rock, coffee and snooker. He also contributes to The Guardian, Classic Rock, Bravewords and Blabbermouth and has previously written for Kerrang! magazine in the mid-2000s.