A founding member of Napalm Death, Justin Broadrick helped define grind before making a landmark statement in industrial metal with Godflesh’s 1989 album Streetcleaner, later having the same effect on post-metal with Jesu. Having resurrected Godflesh with 2014’s A World Lit Only By Fire, Justin and bassist/programmer G.C. Green have returned with an album that strips away the metallic grooves to reveal an underpinning of early industrial and post-punk experimentation. Minimalism dominates: the consternation of Parasite, the primitive pulse of No Body’s disconcerting crackle focusing on a mechanically repressed stomp. Jesu-like melancholy permeates the fuzz on the pulsating The Cyclic End, layering emotion over often frustratingly restrictive primitivism, holding your enjoyment at bay. Given the inwardly analytical title, deconstruction seems the point, Justin’s days of genre-definition behind him, as his singular approach turns inward to tear itself apart.
Godflesh - Post Self album review
Birmingham’s industrial metal pioneers start to pick themselves apart
You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.
Latest
"We could wear wigs and it would be cool instead of corny": Stryper frontman Michael Sweet lists 10 reasons why his life would be much easier if he was actually fronting a Stryper tribute band
“The director came up with this idea of flying at me with a helicopter. I thought, This will be the last thing I ever do.” Guns N' Roses guitar hero Slash on the making of the epic music video US President Donald Trump considers the greatest of all time
Former Thin Lizzy and Whitesnake guitarist John Sykes dead at 65
