Here Lies Man – You Will Know Nothing album review

NYC’s Afro-Sabbath groove wizards Here Lies Man expand their vision with You Will Know Nothing

Here Lies Man You Will Know Nothing album cover

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

You Will Know Nothing

Here Lies Man - You Will Know Nothing

1. Animal Noises
2. Summon Fire
3. Blindness
4. That Much Closer To Nothing
5. Hell (Wooly Tail)
6. Voices At The Window
7. Taking The Blame
8. Fighting
9. Floating On Water
10. Memory Games
11. You Ought To Know

Buy now from Amazon

In an era where metal mash-ups of Marvin Gaye and Bee Gees classics command millions of hits on YouTube, Here Lies Man’s 2017 self-titled full-length debut found an open-minded and eager audience for its resinous hybrid of Black Sabbath-meets-afrobeat. Comprised of members of New York City’s Antibalas, Here Lies Man summoned a mesmerising soundscape of Nigerian afrobeat grooves and thudding primal rhythms on which they layered scuzzy, Iommi-inspired riffs and spiralling psychedelic melodies. The weirdness of the concept – two seemingly unrelated genres fused together – distracted from just how good it sounded, which should have surprised nobody because at the root of both styles is a deep rhythmic reverence to blues and R&B, yet the debut still felt both subtly innovative and fresh. On their latest outing, the groove technicians dial back the Sabbath worship a bit, which actually marks an evolutionary step forward for the sound. 

Riffs no longer dominate but rather play recurring roles throughout the tracks. Opening with the headbanging proto-metal squall of Animal Noises, You Will Know Nothing dissipates and expands into an ethereal psychedelic voyage, with tracks like Floating On Water and You Ought To Know playing out on the spacey side and Taking The Blame and Summon Fire balancing things at the other end of the spectrum. The essence of each track is its own driving, percussive rhythm, which is the heartbeat of all psychedelia. That said, a common pitfall of psych music is its susceptibility to indulgent, generic jamming, which you’ll find here in modest doses. Co-founded by guitarist Marcos Garcia and drummer Geoff Mann, the tracks rely on progressively slower tempos that correspond to an Afro-Cuban rhythmic formula known as the clave. Google it. 

But this record isn’t about counting beats or mathematical equations – this is an interesting rhythmic concept teased out in some genuinely fascinating directions. Well worth a listen – preferably through headphones. 

Joe Daly

Hailing from San Diego, California, Joe Daly is an award-winning music journalist with over thirty years experience. Since 2010, Joe has been a regular contributor for Metal Hammer, penning cover features, news stories, album reviews and other content. Joe also writes for Classic Rock, Bass Player, Men’s Health and Outburn magazines. He has served as Music Editor for several online outlets and he has been a contributor for SPIN, the BBC and a frequent guest on several podcasts. When he’s not serenading his neighbours with black metal, Joe enjoys playing hockey, beating on his bass and fawning over his dogs.

Latest in
Foreigner at the Rock and Roll Hall Of Fame in 2024
Foreigner will complete their Historic Farewell Tour with four different singers – and one of them has recorded Spanish versions of their hits
The cover of Classic Rock 339, featuring Pink Floyd
"It's the father and mother of The Dark Side Of The Moon!": The full inside story of Pink Floyd's Live At Pompeii - only in the new issue of Classic Rock
Asia
"The haters won’t stop us from doing what we do": Geoff Downes on Asia's new lineup and the band's future plans
Fleetwood Mac group portrait
"The soundtrack to the greatest rock'n'roll soap opera ever": The mightiest Fleetwood Mac line-up albums in one handy box
Pete Townshend - The Studio Albums cover art
"This collection embodies both the best and worst of Townshend the artist and arch conceptualist": An overview of the solo career of Pete Townshend, the man who never meant to have a solo career
Linkin Park 2024
Linkin Park launch "the best song we've ever made" Up From The Bottom
Latest in Review
Fleetwood Mac group portrait
"The soundtrack to the greatest rock'n'roll soap opera ever": The mightiest Fleetwood Mac line-up albums in one handy box
Pete Townshend - The Studio Albums cover art
"This collection embodies both the best and worst of Townshend the artist and arch conceptualist": An overview of the solo career of Pete Townshend, the man who never meant to have a solo career
The Horrors
Ghouls Aloud: The Horrors come back from the dead with "a dazzling nocturnal spectacle of sombre reflections and oozing catharsis"
/news/the-darkness-i-hate-myself
"When the storm clouds clear, the band’s innate pop sensibilities shine as brightly as ever": In a world of bread-and-butter rock bands, The Darkness remain the toast of the town
Sex Pistols at the RAH
"Open the dance floor, you’ll never get to do it again." Forget John Lydon's bitter and boring "karaoke" jibes, with Frank Carter up front, the Sex Pistols sound like the world's greatest punk band once more
Arch Enemy posing in an alleyway
Arch Enemy promised they'd throw out the rule book for Blood Dynasty. They didn't go quite that far, but this is the boldest album of the Alissa White-Gluz era - and it kicks ass