From Animals As Leaders’ landmark debut and continued adventures in warping space and time signatures to Chimp Spanner’s crushing space-operatics, those with a penchant for jazz fusion-inspired, djent-tinged instrumental experimentation have had a glut of fret wankery to salivate over in recent times. Cue the release of Canadian Aaron Marshall’s third, optimistically titled Intervals record. With no vocal, Aaron’s lead playing becomes the focus, exuberant on Impulsively Responsible’s stop/ start rhythms, sci-fi incarnate on By Far And Away (which belongs on a Japanese RPG), and spiteful onRubicon Artist’s double-bass battery. Aaron’s musical abilities are supreme, but he falls short as a memorable songwriter, the best records of this ilk creating distinct narratives akin to the best movie soundtracks. There’s plenty to love in The Way Forward’s technicolour tapestries, but he’s still behind the pack leaders.
Intervals - The Way Forward album review
Jazz-inflected djent with more nous than narrative
You can trust Louder
Latest
“A mix of killer melodies, heartbreak and nihilism that’s as timeless as Nirvana”: This is the best punk-pop album you haven’t heard this year
Big Star wrote it, Jamie T sampled it, and it was one of Jeff Buckley’s favourite songs. The story of the sleazy song that was reimagined to capture “the beauty of despair”
"Our label said, ‘You guys will be the next Metallica’, and that bummed me out." Stoner rock legend Brant Bjork on why he didn't want Kyuss to be megastars