John Kongos: Kongos

Expanded breakthrough album by the 1970s songsmith.

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

South Africa-born John Kongos landed in London just in time to ride the rising tide of hairy, rootsy, post-Beatles singer-songwriters. First released in 1972, his second solo album features a host of guests, including percussionist Ray Cooper, producer Gus Dudgeon and engineer Roy Thomas Baker: all key players in the early careers of Elton John, Bowie, Queen and others.

Indeed, Elton’s pastel-shaded signature style clearly informs this collection, which mostly consists of pleasantly unremarkable soft-rock tunes alongside the occasional heart-wrenching folk-pop gem.

Of course, Kongos is best known to younger listeners for his 1971 single He’s Gonna Step On You Again, a No.4 hit that was covered as Step On by Happy Mondays in 1990. Aside from its stomping rhythm, the original is surprisingly close to the remake, and still packs a mean kick. The Mondays later covered another Kongos tune, Tokoloshe Man, also included here. Another Top 4 smash, it marries a Bo Diddley backbeat to a Slade-meets-Bolan boogie-glam riff.

The expanded menu of nine extra B-sides and alternate mixes are largely uninspired filler, like the Quo-style plodder Higher Than God’s Hat and the banjo-twanging novelty number Ride The Lightning, which sadly has little to do with Metallica. Admittedly, the brittle jealousy ballad I Won’t Ask Where You’ve Been has an emotional bite worthy of prime-time Gerry Rafferty, but otherwise these lightweight ditties belong to the lost pre-punk 1970s of Mungo Jerry sideburns and faded denim waistcoats.

A handful of timeless tracks, but not much that will twist your melon./o:p

Stephen Dalton

Stephen Dalton has been writing about all things rock for more than 30 years, starting in the late Eighties at the New Musical Express (RIP) when it was still an annoyingly pompous analogue weekly paper printed on dead trees and sold in actual physical shops. For the last decade or so he has been a regular contributor to Classic Rock magazine. He has also written about music and film for Uncut, Vox, Prog, The Quietus, Electronic Sound, Rolling Stone, The Times, The London Evening Standard, Wallpaper, The Film Verdict, Sight and Sound, The Hollywood Reporter and others, including some even more disreputable publications.

Latest in
Adrian Smith performing with Iron Maiden in 2024
Adrian Smith names his favourite Iron Maiden song, even though it’s “awkward” to play
Robert Smith, Lauren Mayberry, Bono
How your purchase of albums by The Cure, U2, Chvrches and more on Record Store Day can help benefit children living in war zones worldwide
Cradle Of Filth performing in 2021 and Ed Sheeran in 2024
Cradle Of Filth’s singer claims Ed Sheeran tried to turn a Toys R Us into a live music venue
The Beatles in 1962
"The quality is unreal. How is this even possible to have?" Record shop owner finds 1962 Beatles' audition tape that a British label famously decided wasn't good enough to earn Lennon and McCartney's band a record deal
The Mars Volta
“My totalitarian rule might not be cool, but at least we’ve made interesting records. At least we polarise people”: It took The Mars Volta three years and several arguments to make Noctourniquet
/news/the-darkness-i-hate-myself
"When the storm clouds clear, the band’s innate pop sensibilities shine as brightly as ever": In a world of bread-and-butter rock bands, The Darkness remain the toast of the town
Latest in Review
/news/the-darkness-i-hate-myself
"When the storm clouds clear, the band’s innate pop sensibilities shine as brightly as ever": In a world of bread-and-butter rock bands, The Darkness remain the toast of the town
Sex Pistols at the RAH
"Open the dance floor, you’ll never get to do it again." Forget John Lydon's bitter and boring "karaoke" jibes, with Frank Carter up front, the Sex Pistols sound like the world's greatest punk band once more
Arch Enemy posing in an alleyway
Arch Enemy promised they'd throw out the rule book for Blood Dynasty. They didn't go quite that far, but this is the boldest album of the Alissa White-Gluz era - and it kicks ass
The Darkness press shot
"Not just one of the best British rock albums of all time, but one of the best debut albums ever made": That time The Darkness added a riot of colour to a grey musical landscape
Roger Waters - The Dark Side of the Moon Redux Deluxe Box Set
“The live recording sees the piece come to life… amid the sepulchral gloom there are moments of real beauty”: Roger Waters' Super Deluxe Box Set of his Dark Side Of The Moon Redux
Cradle Of Filth Press Shot 2025
Twiddly Iron Maiden harmonies, thrash riffs, horror, rapping (kind of) and sexy goth allure: The Screaming Of The Valkyries is peak Cradle Of Filth