Lee Aaron at Camden Underworld, London - live review

Triumphant return to rock

Crowd shot

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

Last year, having diversified via jazz and opera, Lee Aaron returned to rock music after two decades away from it, releasing her Fire And Gasoline album and playing a well-received spot at the Rockingham Festival. Tonight, Canada’s self-styled metal queen (the recipient of three Toronto Music Awards for Best Female Vocalist, and 10 Juno nominations), is back in London for the first time since the 1980s, belting out a set of vintage tunes, material from Gasoline and, perhaps unexpectedly, previewing a follow-up that’s due in the autumn.

I’m A Woman fits her description of said album being “a little bit blues rock”, and she’s daring enough to have taken a stab at Deep Purple’s Burn, one of two covers (the other being Rock Candy by Montrose). Purple’s 1974 warhorse is, of course, a virtually untouchable song, but Aaron and her band revisit it with all necessary respect and class. Along with golden oldie Barely Holding On, it’s the perfect platform for her to really show off her vocal strengths.

Even at 54, Aaron still has the voice and that same lovably goofy charisma. She also looks great and appears totally comfortable to be back doing what she did so well all those years ago.

If there’s a marked absence of really vintage numbers, it’s forgotten as Aaron departs to huge roars after her signature anthem Metal Queen, and an encore of Hot To Be Rocked seals the night in fine style.

Dave Ling
News/Lives Editor, Classic Rock

Dave Ling was a co-founder of Classic Rock magazine. His words have appeared in a variety of music publications, including RAW, Kerrang!, Metal Hammer, Prog, Rock Candy, Fireworks and Sounds. Dave’s life was shaped in 1974 through the purchase of a copy of Sweet’s album ‘Sweet Fanny Adams’, along with early gig experiences from Status Quo, Rush, Iron Maiden, AC/DC, Yes and Queen. As a lifelong season ticket holder of Crystal Palace FC, he is completely incapable of uttering the word ‘Br***ton’.