Lee Brilleaux - Rock ’N’ Roll Gentleman album review

Brilleaux padding

Cover art for Lee Brilleaux - Rock ’N’ Roll Gentleman album

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

The name of this band is Dr Feelgood. Lee Brilleaux was their singer from their early- 70s Canvey Island beginnings to their demise in 1994 after his death. And this four-CD anthology takes its title from a recent book about the gentleman. So hey.

Like all the best groups, Dr Feelgood were more than the sum of their parts. For the first few years, they were nearly twice that as guitarist Wilko Johnson cannoned off Brilleaux, with his urgent vocals, matching harmonica and a driving rhythm section. The eight tracks from their 1975 debut Down By The Jetty show their uncompromising stance in mono.

Malpractice later that year plundered the R&B catalogue that had inspired the Stones and their ilk a decade earlier. It all came together on 1976’s live Stupidity, which for many remains the band’s peak, highlighted by the title track and Johnson’s Back In The Night. But temperamental differences were driving Brilleaux and Johnson apart and after 1977’s Sneakin’ Suspicion, Johnson split.

So that’s the first CD and there’s no way the other three can compete. After a shaky start, new guitarist John Mayo settles in and enjoys the radio friendly renaissance producer Richard Gottehrer brought on 1978’s Private Practice album. But they weren’t made for the 80s and by the start of the third disc, Mayo is gone and the band are struggling.

After the rhythm section quit, Brilleaux got back to what he knew best on 1984’s Doctors Orders and they’re almost full circle by the fourth disc, which ends with Brilleaux’s final gig.

Hugh Fielder

Hugh Fielder has been writing about music for 50 years. Actually 61 if you include the essay he wrote about the Rolling Stones in exchange for taking time off school to see them at the Ipswich Gaumont in 1964. He was news editor of Sounds magazine from 1975 to 1992 and editor of Tower Records Top magazine from 1992 to 2001. Since then he has been freelance. He has interviewed the great, the good and the not so good and written books about some of them. His favourite possession is a piece of columnar basalt he brought back from Iceland.

Latest in
Adrian Smith performing with Iron Maiden in 2024
Adrian Smith names his favourite Iron Maiden song, even though it’s “awkward” to play
Robert Smith, Lauren Mayberry, Bono
How your purchase of albums by The Cure, U2, Chvrches and more on Record Store Day can help benefit children living in war zones worldwide
Cradle Of Filth performing in 2021 and Ed Sheeran in 2024
Cradle Of Filth’s singer claims Ed Sheeran tried to turn a Toys R Us into a live music venue
The Beatles in 1962
"The quality is unreal. How is this even possible to have?" Record shop owner finds 1962 Beatles' audition tape that a British label famously decided wasn't good enough to earn Lennon and McCartney's band a record deal
The Mars Volta
“My totalitarian rule might not be cool, but at least we’ve made interesting records. At least we polarise people”: It took The Mars Volta three years and several arguments to make Noctourniquet
/news/the-darkness-i-hate-myself
"When the storm clouds clear, the band’s innate pop sensibilities shine as brightly as ever": In a world of bread-and-butter rock bands, The Darkness remain the toast of the town
Latest in Review
/news/the-darkness-i-hate-myself
"When the storm clouds clear, the band’s innate pop sensibilities shine as brightly as ever": In a world of bread-and-butter rock bands, The Darkness remain the toast of the town
Sex Pistols at the RAH
"Open the dance floor, you’ll never get to do it again." Forget John Lydon's bitter and boring "karaoke" jibes, with Frank Carter up front, the Sex Pistols sound like the world's greatest punk band once more
Arch Enemy posing in an alleyway
Arch Enemy promised they'd throw out the rule book for Blood Dynasty. They didn't go quite that far, but this is the boldest album of the Alissa White-Gluz era - and it kicks ass
The Darkness press shot
"Not just one of the best British rock albums of all time, but one of the best debut albums ever made": That time The Darkness added a riot of colour to a grey musical landscape
Roger Waters - The Dark Side of the Moon Redux Deluxe Box Set
“The live recording sees the piece come to life… amid the sepulchral gloom there are moments of real beauty”: Roger Waters' Super Deluxe Box Set of his Dark Side Of The Moon Redux
Cradle Of Filth Press Shot 2025
Twiddly Iron Maiden harmonies, thrash riffs, horror, rapping (kind of) and sexy goth allure: The Screaming Of The Valkyries is peak Cradle Of Filth