Live: Mostly Autumn In Cardiff

Mostly Autumn make a welcome return to the Welsh capital.

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

As Prog squeezes through a preponderance of men of a certain age bedecked in band colours and an above average count of Hawkwind T-shirts in the audience, it’s clear that Mostly Autumn’s return to the Welsh capital is a most welcome occurrence for their immensely loyal fan base.

Though 20 years long in tooth and subject to a fairly hefty archive of past members, the current line up – multi-instrumentalist Angela Gordon back in the fold, Olivia Sparnenn-Josh firmly established fronting the band – finds the band in comfortable, powerful form, riding a career swell on the crest of their most recent album, last year’s superlative Dressed In Voices. The record is undoubtedly one of the standout prog albums of 2014, and it has a fairly coherent concept: essentially the after-effects of a killing from the perpetrator-now-victim’s viewpoint. Dressed In Voices showcases an ambition and flair only hinted at previously.

The aforementioned record is delivered tonight in its entirety, and there’s more punch to the bombast than on record, as well as a harder edge often absent in polished digital formats. All of these factors considerably up the emotional ante of the evening. An early highlight is Running, which sees Sparnenn-Josh and Gordon hitting perfect Abba-esque vibrato harmonies, adding a sharp sweetness to some keen rock-pop nous. The band’s scope is extremely and impressively broad: Floydian flights soar and dip into moments of introspective melancholy before jerking into propulsive, syncopated keyboard riffs and, halfway through the track Skin On Skin, an almost John Bonham-style drum break.

Eschewing some of their more symphonic tendencies, main man Bryan Josh’s guitar textures never dominate, and likewise Sparnenn-Josh has a similarly soft-power approach, drifting on and offstage and in and out of the music with a restrained yet well-judged bearing. She’s a singer who truly inhabits her voice.

The band play tonight for a muscular and highly impressive two-and-a-half hours, and the second half of their performance comprises a few lesser-played favourites, including Pass The Clock and Parts I-III, as well as live stalwarts like Evergreen. Though fan-pleasing and illustrating their more windswept, whimsical roots, perhaps unsurprisingly the pacing suffers somewhat in comparison with the seamless fluidity of the first half. Here and there, there’s a bit too much ebb and not enough flow, though as proceedings start to wrap up, the epic Questioning Eyes – as good as any example of the band’s widespread abilities – snaps the crowd out of their reverie with its screaming wig-out ending, Josh channelling Freebird, the band off the leash, heads down and off. It’s no stretch to imagine this in an arena.

Tim Batcup

Tim Batcup is a writer for Classic Rock magazine and Prog magazine. He's also the owner of Cover To Cover, Swansea's only independent bookshop, and a director of Storyopolis, a free children’s literacy project based at the Volcano Theatre, Swansea. He likes music, books and Crass. 

Latest in
Cradle Of Filth performing in 2021 and Ed Sheeran in 2024
Cradle Of Filth’s singer claims Ed Sheeran tried to turn a Toys R Us into a live music venue
The Beatles in 1962
"The quality is unreal. How is this even possible to have?" Record shop owner finds 1962 Beatles' audition tape that a British label famously decided wasn't good enough to earn Lennon and McCartney's band a record deal
The Mars Volta
“My totalitarian rule might not be cool, but at least we’ve made interesting records. At least we polarise people”: It took The Mars Volta three years and several arguments to make Noctourniquet
/news/the-darkness-i-hate-myself
"When the storm clouds clear, the band’s innate pop sensibilities shine as brightly as ever": In a world of bread-and-butter rock bands, The Darkness remain the toast of the town
Ginger Wildheart headshot
"What happens next, you give everyone a hard-on and then go around the room with a bat like Al Capone?!” Ginger Wildheart's wild tales of Lemmy, AC/DC, Guns N' Roses, Cheap Trick and more
Lizzo and Sister Rosetta Tharpe onstage
"This is my baby, my passion – because Rosetta deserves": Lizzo to play rock'n'roll pioneer Sister Rosetta Tharpe in upcoming biopic
Latest in Review
/news/the-darkness-i-hate-myself
"When the storm clouds clear, the band’s innate pop sensibilities shine as brightly as ever": In a world of bread-and-butter rock bands, The Darkness remain the toast of the town
Sex Pistols at the RAH
"Open the dance floor, you’ll never get to do it again." Forget John Lydon's bitter and boring "karaoke" jibes, with Frank Carter up front, the Sex Pistols sound like the world's greatest punk band once more
Arch Enemy posing in an alleyway
Arch Enemy promised they'd throw out the rule book for Blood Dynasty. They didn't go quite that far, but this is the boldest album of the Alissa White-Gluz era - and it kicks ass
The Darkness press shot
"Not just one of the best British rock albums of all time, but one of the best debut albums ever made": That time The Darkness added a riot of colour to a grey musical landscape
Roger Waters - The Dark Side of the Moon Redux Deluxe Box Set
“The live recording sees the piece come to life… amid the sepulchral gloom there are moments of real beauty”: Roger Waters' Super Deluxe Box Set of his Dark Side Of The Moon Redux
Cradle Of Filth Press Shot 2025
Twiddly Iron Maiden harmonies, thrash riffs, horror, rapping (kind of) and sexy goth allure: The Screaming Of The Valkyries is peak Cradle Of Filth