Live: Periphery In Manchester

Periphery and Good Tiger prog out in Manchester

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

Given the ferocity with which Good Tiger kick off the night, it’s surprising to learn that this is only their fifth gig.

(Image credit: Sabrina Ramdoyal)

They may not have fully gelled as a unit just yet, but their tunes do the talking as they blaze through tracks from their debut album A Head Full Of Moonlight. Vocalist Elliot Coleman (formerly of TesseracT), knows how to work the crowd, and is on double duties, as he involves the front row while hitting acrobatic notes. It’s Enjoy The Rain that delivers the next gut punch, with a powerful rolling chorus motif and stop-start dynamic shifts. Single Snake Oil connects more solidly live than on record, with a razor-sharp immediacy that recalls the Dillinger Escape Plan and Mars Volta.

All too briefly, their set is over, and the overwhelming impression they leave is that of a band who are still learning how to gel, yet are also more polished already than they have any right to be. Moreover, they’re better placed than most to transcend the progressive metal genre and break into the mainstream.

(Image credit: Sabrina Ramdoyal)

Periphery are a well-oiled machine, and Juggernaut, their most recent release that includes two meaty albums, is well-named; there are six members in the band – including three guitarists – and all are all interacting with the audience tonight. It’s impossible not to get caught up in their raw energy. Combine that with riffs that are so powerful they need a Star Trek-style containment field to render them safe for human interaction, and you’ve got the recipe for a great rock show. Drawing heavily from Juggernaut, the set list features dramatic slow-burner The Scourge, the thrillingly heavy The Bad Thing and the effervescent single Alpha, which closes the main set. When Periphery return to encore with 22 Faces, Four Lights and Stranger Things, the crowd go wild, embracing the new tracks and scrabbling to grab singer Spencer Sotelo as he climbs into the crowd. Guitar mastermind Misha Mansoor remains onstage, wearing a broad smile throughout the set and visibly elated by the reaction.

Periphery are a well-oiled machine; it’s impossible not to get caught up in their raw energy.

It’s a breathless performance, but some of their more melodic, older tracks would be welcome; Make Total Destroy and Icarus Lives! provoke plenty of moshing and crowdsurfing, but All New Materials or Jetpacks Was Yes! would have made for a nice change of pace. Moreover the atmospheric and proggy Erised or the monolithic riffs of Have A Blast would have slotted in as tracks that equally balance the heavy, technical and atmospheric sides of the band. These are minor concerns, however. Fundamentally, the conclusion from tonight is that Periphery are one of the most compelling touring metal acts today.

Latest in
Foreigner at the Rock and Roll Hall Of Fame in 2024
Foreigner will complete their Historic Farewell Tour with four different singers – and one of them has recorded Spanish versions of their hits
The cover of Classic Rock 339, featuring Pink Floyd
"It's the father and mother of The Dark Side Of The Moon!": The full inside story of Pink Floyd's Live At Pompeii - only in the new issue of Classic Rock
Asia
"The haters won’t stop us from doing what we do": Geoff Downes on Asia's new lineup and the band's future plans
Fleetwood Mac group portrait
"The soundtrack to the greatest rock'n'roll soap opera ever": The mightiest Fleetwood Mac line-up albums in one handy box
Pete Townshend - The Studio Albums cover art
"This collection embodies both the best and worst of Townshend the artist and arch conceptualist": An overview of the solo career of Pete Townshend, the man who never meant to have a solo career
Linkin Park 2024
Linkin Park launch "the best song we've ever made" Up From The Bottom
Latest in Review
Fleetwood Mac group portrait
"The soundtrack to the greatest rock'n'roll soap opera ever": The mightiest Fleetwood Mac line-up albums in one handy box
Pete Townshend - The Studio Albums cover art
"This collection embodies both the best and worst of Townshend the artist and arch conceptualist": An overview of the solo career of Pete Townshend, the man who never meant to have a solo career
The Horrors
Ghouls Aloud: The Horrors come back from the dead with "a dazzling nocturnal spectacle of sombre reflections and oozing catharsis"
/news/the-darkness-i-hate-myself
"When the storm clouds clear, the band’s innate pop sensibilities shine as brightly as ever": In a world of bread-and-butter rock bands, The Darkness remain the toast of the town
Sex Pistols at the RAH
"Open the dance floor, you’ll never get to do it again." Forget John Lydon's bitter and boring "karaoke" jibes, with Frank Carter up front, the Sex Pistols sound like the world's greatest punk band once more
Arch Enemy posing in an alleyway
Arch Enemy promised they'd throw out the rule book for Blood Dynasty. They didn't go quite that far, but this is the boldest album of the Alissa White-Gluz era - and it kicks ass