For their sixth album, Long Distance Calling are going back to basics. The German post-rockers began as an instrumental outfit, dabbling with guest vocals and only introducing full-time singers on their last two albums. With Boundless, everything’s stripped back to the initial formula – all instrumentals, no guests, no vocals. The difference is that by now the quartet are experts in texture, tone and atmosphere, eschewing the post-metal tropes of loud/quiet dynamics. The majority of tracks are left to their own devices, steadily building to vertiginous peaks of thundering noise and vortexes of melody. Consequently, there’s a lawless feel to Skydivers and Ascending, the latter opening with Mastodon-esqueriffery before overcast ambience takes it to a dark, dramatic place. Boundless might revisit LDC’s roots, but it’s less a step backward, more a cinematic homecoming.
Long Distance Calling - Boundless album review
Post-rock Germans step back for a wider view

You can trust Louder
More about metal hammer

“We were heartbroken. The world had lost a big talent. But as a band we had lost much more”: The rollercoaster story of AC/DC’s Back In Black, the 50-million selling album that emerged from tragedy

“A fan said the teaser was 36 seconds long and already better than The Astonishing… another said they already knew they wouldn’t buy it. You’ve got to love that stuff”: When Dream Theater slimmed down for Distance Over Time