Melvins’ first double album is a stylistically fractured affair that showcases two of their enduring vibes: sludgy hard rock and freaky experimentalism. Again indulging their heroic appetite for line-up changes, guitarist Buzz Osborne and drummer Dale Crover enlisted Redd Kross bassist Steven McDonald for the latest campaign, as he anchors first side Death with thick, bubbling rhythms that pour seamlessly into Dale’s punchy cadences and King Buzzo’s weirdly seditious melodies. The band’s signature amalgam of sticky, bludgeoning riffage underpins spacey forays into prog, classic rock and ball-tripping psychedelia, as on the concussive squall of Euthanasia. More interesting are tracks like Christ Hammer, with its spidery fretwork and spooky harmonies, and What’s Wrong With You, a jaggedly catchy garage rocker that could pass for late-90s Stone Temple Pilots. Side two, Love – the soundtrack to a short film – delivers a disorienting clutch of trippy atmospherics stitched into ambient swathes of muffled conversations. Love may be an acquired taste, but Death offers a sumptuous feast of pure, uncut head candy.
Melvins - A Walk With Love & Death album review
Seattle’s prolific grunge pioneers unleash double trouble

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

Massive Attack just sent their music to the moon and back

“I used to go to the Camden Palace and drink with Boy George. I loved Culture Club”: How Ian Gillan put Deep Purple behind him and launched a new chapter of his career with Gillan

“A return to full-fat prog from the man who gave the genre a good name in recent years”: Prog fans rejoice! Steven Wilson has come home with cosmic modern classic The Overview