Fit For An Autopsy continue to transcend deathcore on The Nothing That Is
After breaking into the US top 50 with 2022's Oh What The Future Holds, Fit For An Autopsy are still pushing boundaries of deathcore
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"Maybe this was the catharsis he needed to propel his next chapter." Devin Townsend's PowerNerd isn't the all-out burst of Heavy Devy we expected, but it's still pretty damn good
Devin Townsend's latest studio album is more of a greatest hits than the return to straight-up heaviness he suggested
Gaerea strive for greatness on Coma, but aren't quite there yet
Gaerea's third studio album is another very good, if sometimes over-egged, slab of epic black metal
Better Lovers' debut album is exactly what you'd expect from Dillinger Escape Plan and Every Time I Die alumni
The first Better Lovers album is what you'd imagine, which is certainly no bad thing
Lucifer's Friend mix it up with wild abandon on fourth album Banquet
In which four Germans and a Brit hook up and invent prog-jazz-rock showtunes
Sophie Lloyd's debut headline show is entertaining in moments, but isn't quite the nostalgic party some may have hoped for
At her debut solo concert, shredder extraordinaire Sophie Lloyd largely eschews the hard rock covers that made her famous
Confidence Man's 3AM (LA LA LA) is a trashy, joyous instant classic
The Aussie duo have crafted a career-best album and one of 2024's essential dance releases
“They’ve dialed back abrasiveness in favour of a smoother sound”: Swallow The Sun’s Shining
New producer helps Finnish dark proggers explore their more accessible side on ninth album
"A Frost* double concept album – who could quibble?” Life In The Wires is quite marvellous
Keyboard and guitar solos are back in abundance as Jem Godfrey and his ‘classic’ line-up mixes the best atrributes of their previous four albums into something quite marvellous
Fantastic Negrito's raw and confessional Son Of A Broken Man is his best work yet
Heavy riffing collides with funk and soul for an extraordinary confessional
Tom Petty & The Heartbreakers' Long After Dark, perhaps as it was always meant to be
A remastered Tom Petty classic, with previously unreleased and extra tracks
Albert King and Stevie Ray Vaughan trade licks and stories on the deluxe edition of In Session
Eavesdropping the blues as two greats join forces for 1983 TV special
The Yardbirds stretch out on the raw and thrilling The Ultimate Live At The BBC
Undervalued pioneers The Yardbirds rock the corporation on 90-track collection
Mick Fleetwood and Jake Shimabukuro share a broad definition of the blues on collaborative album
Ukulele blues from Fleetwood Mac founder and Hawaiin YouTube sensation
Jerry Cantrell goes back to black for I Want Blood
Alice In Chains mainman Jerry Cantrell keeps it dark on solo album number four
Grand Magus serve up a chest-beating triumph on Sunraven
The tenth album from Swedish metal standard bearers Grand Magus mines some legendary themes
"These performances retain the essential raging-rebel attitude that fired the Detroit firebrands' original incarnation": The MC5's final album Heavy Lifting is a vibrant joint epitaph
A belated fourth album from the MC5, featuring last hurrahs from Wayne Kramer and Dennis Thompson, arrives 53 years album after their third
Gloomy melodic doom metal veterans Swallow The Sun sneak some welcome optimism into new album Shining - but not too much
Swallow The Sun's ninth studio album is a subtle wade into lighter waters
Muse polarise opinion on third album Absolution, even if everyone seems to like the guitars
Dismissed initially as Radiohead copyists, Muse were blasted into the stadium-slaying stratosphere by Absolution
