Paul Weller’s first solo decade began with him in perplexing obscurity, before taking in the Stanley Road renaissance and ending with him re-loved, in Britain at least. He was typically prolific, hence this three-disc cornucopia of B-sides plus the occasional remix and session track. It appeared in 2003, sailed to #22 and disappeared.
Now, it’s been exhumed apropos nothing beyond a first appearance on digital, so, ironically, the extra-tracks collection has no extra tracks. One disc comprises so-so covers, from The Beatles (Sexy Sadie) to Ben Harper (Waiting On An Angel) via assorted soul classics. As the subsequent Studio 150 would confirm, Weller isn’t really meant for covers.
The B-sides, though, are a revelation, whether it’s a heroic live assault on Foot Of The Mountain, Portishead’s glorious, dub-tastic Wild Wood remix or the beautiful A Year Late, so wasted as a B-side. And there’s Arrival Time, the swirling TV theme that never was: “We played this live once, in New Orleans at the famous Tipitina’s, the home of funk,” Weller remembers in the sleeve-notes. “And they hated it. Fair enough.”
- “A universe of strangeness and charm”: Parts Of The Process – The Complete Godley & Creme is a trip into a subversive, mischievous world of erratic genius
- “The live recording sees the piece come to life… amid the sepulchral gloom there are moments of real beauty”: Roger Waters' Super Deluxe Box Set of his Dark Side Of The Moon Redux
These seeming cast-offs show Weller free of constraint, revelling in the luxury of being able to sidestep commercial restrictions. Certainly his labels at the time knew what they wanted, and it wasn’t the feast of distortion that is Kosmos, but they understood, too, the value of indulging their asset. Big picture-wise, Go! Discs and Island knew best, but, overwhelmingly, what’s here is a treat. Everyone wins.
