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For most bands, 15 years is a hell of a wait between albums. In the case of Redd Kross, it’s not as if the world was waiting with bated breath. Which only goes to show you what a cloth-eared gimp the world can be sometimes.

Researching The Blues belatedly picks up where 1997’s Show World left off, and continues the 30-plus-year trajectory that has taken the band from Hollywood teen-punk brats to one of the planet’s finest – if most outrageously ignored – purveyors of rough-edged, day-glo power-pop. That title isn’t so much a red herring as a gigantic, scarlet-painted whale of Moby-Dick proportions.

There’s absolutely nothing approaching ‘the blues’ here – rather, the likes of The Nu Temptations and Dracula’s Daughter bridge the gap between Kiss and The Archies, all arched eyebrows and borderline diffident vocals. The stellar Stay Away From Downtown is worth the price of entry alone.

They’ve dialled down the trash culture kitsch of their late 80s and early 90s incarnations, thought it’s still likely that the world will remain deaf to its charms. But if it’s quality power-pop you’re after, you’ll need to search long and hard to find anything better.

Dave Everley has been writing about and occasionally humming along to music since the early 90s. During that time, he has been Deputy Editor on Kerrang! and Classic Rock, Associate Editor on Q magazine and staff writer/tea boy on Raw, not necessarily in that order. He has written for Metal Hammer, Louder, Prog, the Observer, Select, Mojo, the Evening Standard and the totally legendary Ultrakill. He is still waiting for Billy Gibbons to send him a bottle of hot sauce he was promised several years ago.