Hitting the stage at the ungodly hour of 6:30, POSEIDON [8] lay down an epic brand of crust-infused, slow-motion battering that hits like a blue whale. It’s so heavy, every toilet in the place stops working in protest at the punishment. A respected producer in his own tight, Tony Reed is a true 70s rock renaissance man, and MOS GENERATOR [8] show what a great guitarist and soulful singer he is. This is a band who deserve your attention now. While some seem to think they’re just another Wino project, for the doom connoisseur Scott Reagers is the voice of SAINT VITUS [9]. It’s a set heavily studded with classics from the first two albums – White Stallions and The Sadist in particular are blood-curdlingly joyous – as well as the underrated Die Healing. The recent addition of veteran Crowbar/Down bassist Pat Bruders in the stead of ailing Mark Adams adds some serious low-end and Vitus have never looked better. Scott’s take on Born Too Late is the epitome of heartfelt doom. Miserable perfection.
Saint Vitus/ Mos Generator/ Poseidon at Underworld, London - live review
The Gospel - live

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

“Justin Hawkins has got a crazy brain. He kept giving me all of these great lines”: How The Darkness persuaded a Hollywood A-lister to appear on their new album

“Our manager said Mick Jagger and Jeff Beck were in the crowd. I had to put it out of my mind and play”: The epic story of Living Colour, the band that revolutionised 80s hard rock

“We were a bit drunk, and I slurred to Ronnie, ‘Do you fancy doing an album?’ It was as simple as that”: How Heaven & Hell resurrected Black Sabbath’s other classic line-up with The Devil You Know