Steel Panther - Lower The Bar album review

Metal porno-parodists take the filth amendment on their fifth

Cover art for steel panther's lower the bar

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

Drenched to their spandex underpants in double- and single-entendre lyrics that push porno-parodic excess to 11 and beyond, Steel Panther’s fifth album features another dozen tumescent, hook‑laden party-rock anthems.

LA’s premier glam-metal spoof merchants are clearly not messing with a winning formula, though the lyrics here seem even more relentlessly sex-focused than ever (Pussy Ain’t Free, Goin’ In The Back Door), while the polished musical backdrop shows a little more progressive ambition: the smouldering, lightly psychedelic Now The Fun Starts could almost be a straight-faced excursion into Jane’s Addiction territory.

Like previous Panther anthems, Lower The Bar is a note-perfect, musically slick affair bursting with Russ ‘Satchel’ Parrish’s florid guitar licks. The lyrics are relentlessly puerile, but often hilarious: ‘Is it a chick or is it a dude? Doesn’t really matter if she looks good nude.’

Even the leering, sexist jokes typically rebound on the band themselves, as in the Crüe-style swagger-boast I Got What You Want, with its proudly self-deflating punchline: ‘Five and half inches of love.’

The key element missing here is live performance, since Panther are essentially a stand‑up comedy spectacle. But at least Lower The Bar adds several more arena-shafting classics to their swollen arsenal of eye-watering filth.

Stephen Dalton

Stephen Dalton has been writing about all things rock for more than 30 years, starting in the late Eighties at the New Musical Express (RIP) when it was still an annoyingly pompous analogue weekly paper printed on dead trees and sold in actual physical shops. For the last decade or so he has been a regular contributor to Classic Rock magazine. He has also written about music and film for Uncut, Vox, Prog, The Quietus, Electronic Sound, Rolling Stone, The Times, The London Evening Standard, Wallpaper, The Film Verdict, Sight and Sound, The Hollywood Reporter and others, including some even more disreputable publications.

Latest in
Gong
Daevid Allen's final album with Gong to be reissued
Rick Astley and Rick Wakeman
“Rick Wakeman’s solo albums were just brilliant… when I heard he was doing Henry VIII at Hampton Court Palace, I bought 12 tickets”: Prog is the reason Rick Astley became a singer
Ozzy Osbourne, Paul McCartney, Robert Plant, Jim Morrison and Joe Strummer onstage
The greatest gig I've ever seen: 24 writers pick the most memorable live show of their lives
Marillion in 1984
From debauched prog revivalists to pioneers of the internet age: The Marillion albums you should definitely listen to
Bob Dylan, Tom Petty, Mike Campbell
"It’s a thin line between child and genius." Tom Petty and the Heartbreakers guitarist Mike Campbell reveals how a drum machine confused the hell out of Bob Dylan when he tried to write a hit single in the mid '80s
Queen posing for a photograph in 1978
"Freddie’s ideas were off the wall and cheeky and different, and we tended to encourage them, but sometimes they were not brilliant.” Queen's Brian May reveals one of Freddie Mercury's grand ideas that got vetoed by the rest of the band
Latest in Review
/news/the-darkness-i-hate-myself
"When the storm clouds clear, the band’s innate pop sensibilities shine as brightly as ever": In a world of bread-and-butter rock bands, The Darkness remain the toast of the town
Sex Pistols at the RAH
"Open the dance floor, you’ll never get to do it again." Forget John Lydon's bitter and boring "karaoke" jibes, with Frank Carter up front, the Sex Pistols sound like the world's greatest punk band once more
Arch Enemy posing in an alleyway
Arch Enemy promised they'd throw out the rule book for Blood Dynasty. They didn't go quite that far, but this is the boldest album of the Alissa White-Gluz era - and it kicks ass
The Darkness press shot
"Not just one of the best British rock albums of all time, but one of the best debut albums ever made": That time The Darkness added a riot of colour to a grey musical landscape
Roger Waters - The Dark Side of the Moon Redux Deluxe Box Set
“The live recording sees the piece come to life… amid the sepulchral gloom there are moments of real beauty”: Roger Waters' Super Deluxe Box Set of his Dark Side Of The Moon Redux
Cradle Of Filth Press Shot 2025
Twiddly Iron Maiden harmonies, thrash riffs, horror, rapping (kind of) and sexy goth allure: The Screaming Of The Valkyries is peak Cradle Of Filth