Stray From The Path - Only Death Is Real album review

Political metalcore stalwarts offer fast food for thought

Cover art for Stray From The Path - Only Death Is Real album

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

Everything’s shit and Stray From The Path know it. Since 2001, the NY metalcore good-for-nuffins have actively spoken out against the world’s ills, and their seventh record is no different. This time, though, 2017’s bizarre political landscape leaves vocalist Andrew Dijorio basically sloganeering, cries of ‘Don’t hate the player, hate the game!’ coming off as Zack de la Rocha’s sloppy sevenths. His piercing, Architects-meet-Rage Against The Machine approach offers swagger and severity; he does genuinely believe these lines he’s spitting, but with a few exceptions, it’s mostly top-line stuff. Metalcorebeatdownsmeet bouncy nu metal riffs, ham-fistedly allowing room for Donald Trump samples – of course. SOFTWAREmark” gingersoftwareuiphraseguid=“44a21b80-3c4c-447d-a929-e1a9e64d01e1” id=“f18bb7d2-5127-474a-ac50-8e6599cac99d”>GoodnightSOFTWAREmark” gingersoftwareuiphraseguid=“44a21b80-3c4c-447d-a929-e1a9e64d01e1” id=“b44c5a57-02af-453f-b719-54fe97791874”>Alt-Right is the album’s biggest middle finger, a highlight even given its potentially divisive, ‘meet-violence-with-violence’ message. This album is mosh-a-minute fun, but it’s essentially the Sausage Party of metal: conceptual promise over-laboured to predictable climax.

Alec Chillingworth
Writer

Alec is a longtime contributor with first-class BA Honours in English with Creative Writing, and has worked for Metal Hammer since 2014. Over the years, he's written for Noisey, Stereoboard, uDiscoverMusic, and the good ship Hammer, interviewing major bands like Slipknot, Rammstein, and Tenacious D (plus some black metal bands your cool uncle might know). He's read Ulysses thrice, and it got worse each time.

Latest in
Foreigner at the Rock and Roll Hall Of Fame in 2024
Foreigner will complete their Historic Farewell Tour with four different singers – and one of them has recorded Spanish versions of their hits
The cover of Classic Rock 339, featuring Pink Floyd
"It's the father and mother of The Dark Side Of The Moon!": The full inside story of Pink Floyd's Live At Pompeii - only in the new issue of Classic Rock
Asia
"The haters won’t stop us from doing what we do": Geoff Downes on Asia's new lineup and the band's future plans
Fleetwood Mac group portrait
"The soundtrack to the greatest rock'n'roll soap opera ever": The mightiest Fleetwood Mac line-up albums in one handy box
Pete Townshend - The Studio Albums cover art
"This collection embodies both the best and worst of Townshend the artist and arch conceptualist": An overview of the solo career of Pete Townshend, the man who never meant to have a solo career
Linkin Park 2024
Linkin Park launch "the best song we've ever made" Up From The Bottom
Latest in Review
Fleetwood Mac group portrait
"The soundtrack to the greatest rock'n'roll soap opera ever": The mightiest Fleetwood Mac line-up albums in one handy box
Pete Townshend - The Studio Albums cover art
"This collection embodies both the best and worst of Townshend the artist and arch conceptualist": An overview of the solo career of Pete Townshend, the man who never meant to have a solo career
The Horrors
Ghouls Aloud: The Horrors come back from the dead with "a dazzling nocturnal spectacle of sombre reflections and oozing catharsis"
/news/the-darkness-i-hate-myself
"When the storm clouds clear, the band’s innate pop sensibilities shine as brightly as ever": In a world of bread-and-butter rock bands, The Darkness remain the toast of the town
Sex Pistols at the RAH
"Open the dance floor, you’ll never get to do it again." Forget John Lydon's bitter and boring "karaoke" jibes, with Frank Carter up front, the Sex Pistols sound like the world's greatest punk band once more
Arch Enemy posing in an alleyway
Arch Enemy promised they'd throw out the rule book for Blood Dynasty. They didn't go quite that far, but this is the boldest album of the Alissa White-Gluz era - and it kicks ass