The Syn - Trustworks album review

Steve Nardelli’s brainchild, The Syn, bolstered by Moon Safari

The Syn - Trustworks album cover

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

Best known as Chris Squire’s pre-Yes psychedelic beat group, The Syn remain largely unsung heroes, but co-founder and driving force Steve Nardelli has seemingly devoted the 21st century to the pursuit of overdue recognition, with a series of wonderfully eccentric records made with an often impressive roll-call of virtuoso luminaries, most notably ex-It Bites frontman Francis Dunnery. Several years in the making, Trustworks heralds a new incarnation; a wholesale collaboration with Swedish prog ingénues Moon Safari, with Flower King Jonas Reingold co-producing.

As you might expect, the results are sumptuously melodic and in-keeping with The Syn’s original sound, albeit bolstered by modern production and, we can assume, lessons learned from four decades of creativity. It’s a hugely likeable affair, full of gently insistent hooks and embellished with Moon Safari’s trademark harmonies, but Nardelli’s vocals are at times a little anonymous and it isn’t until expansive, 15-minute closer Seventh Day Of Seven that its true potential is fully realised.

The rest of the songs are enjoyable enough and it sounds satisfyingly vivid on vinyl, but you may find yourself hoping that the next album will be more powerful and memorable one.

Dom Lawson
Writer

Dom Lawson has been writing for Metal Hammer and Prog for over 14 years and is extremely fond of heavy metal, progressive rock, coffee and snooker. He also contributes to The Guardian, Classic Rock, Bravewords and Blabbermouth and has previously written for Kerrang! magazine in the mid-2000s. 

Latest in
Foreigner at the Rock and Roll Hall Of Fame in 2024
Foreigner will complete their Historic Farewell Tour with four different singers – and one of them has recorded Spanish versions of their hits
The cover of Classic Rock 339, featuring Pink Floyd
"It's the father and mother of The Dark Side Of The Moon!": The full inside story of Pink Floyd's Live At Pompeii - only in the new issue of Classic Rock
Asia
"The haters won’t stop us from doing what we do": Geoff Downes on Asia's new lineup and the band's future plans
Fleetwood Mac group portrait
"The soundtrack to the greatest rock'n'roll soap opera ever": The mightiest Fleetwood Mac line-up albums in one handy box
Pete Townshend - The Studio Albums cover art
"This collection embodies both the best and worst of Townshend the artist and arch conceptualist": An overview of the solo career of Pete Townshend, the man who never meant to have a solo career
Linkin Park 2024
Linkin Park launch "the best song we've ever made" Up From The Bottom
Latest in Review
Fleetwood Mac group portrait
"The soundtrack to the greatest rock'n'roll soap opera ever": The mightiest Fleetwood Mac line-up albums in one handy box
Pete Townshend - The Studio Albums cover art
"This collection embodies both the best and worst of Townshend the artist and arch conceptualist": An overview of the solo career of Pete Townshend, the man who never meant to have a solo career
The Horrors
Ghouls Aloud: The Horrors come back from the dead with "a dazzling nocturnal spectacle of sombre reflections and oozing catharsis"
/news/the-darkness-i-hate-myself
"When the storm clouds clear, the band’s innate pop sensibilities shine as brightly as ever": In a world of bread-and-butter rock bands, The Darkness remain the toast of the town
Sex Pistols at the RAH
"Open the dance floor, you’ll never get to do it again." Forget John Lydon's bitter and boring "karaoke" jibes, with Frank Carter up front, the Sex Pistols sound like the world's greatest punk band once more
Arch Enemy posing in an alleyway
Arch Enemy promised they'd throw out the rule book for Blood Dynasty. They didn't go quite that far, but this is the boldest album of the Alissa White-Gluz era - and it kicks ass