"Like a starving lion in a chicken coop": The Yardbirds stretch out on the raw and thrilling The Ultimate Live At The BBC

Undervalued pioneers The Yardbirds rock the corporation on 90-track collection

The Yardbirds: The Ultimate Live At The BBC cover art
(Image: © Repertoire)

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Best known now, sadly, for being responsible for Led Zeppelin, The Yardbirds were arguably the first real rock band, as they went from speedy, authenticity-obsessed blues with Eric Clapton, then into gorgeous beat music, then astonishing psychedelic guitar pop with Jeff Beck, and finally, after a Mickie Most-directed flirtation with the kind of kiddie-pop that even a young David Bowie might have baulked at, into the riff-powered post-blues overdriven sound that would comprise most rock bands’ output in the 1970s.

While their 60s colleagues all experimented with sound, none of them were so guitar-fixated as this group and, though they lacked a great songwriter like the Stones, The Who and The Kinks had, The Yardbirds were unfazed, mostly using songs as launch pads for extraordinary guitar workouts in the way modern jazz artists took pop standards into new dimensions.

Dazed And Confused (Live at Top Gear, recorded 6 March 1968) - YouTube Dazed And Confused (Live at Top Gear, recorded 6 March 1968) - YouTube
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On record they were often compelled to be brief, hooky and sometimes goofy. Live they were able to stretch out, and in their radio sessions, as this expanded collection of BBC appearances shows, they often went for it like a starving lion in a chicken coop.

The songs that would invent Zeppelin and their imitators – Train Kept A Rollin’ and Dazed And Confused – appear here in only mildly truncated form, but fans of the band, and of great beat music, will enjoy the best of the greatest of R&B bands in their rawest, most exciting form. From blues soup to rock nuts, everything here is entirely thrilling.

David Quantick

David Quantick is an English novelist, comedy writer and critic, who has worked as a journalist and screenwriter. A former staff writer for the music magazine NME, his writing credits have included On the HourBlue JamTV Burp and Veep; for the latter of these he won an Emmy in 2015.

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