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Over six years in the making, Disconnect is almost worth the wait. Beyond the acoustic opener, Elimination Process, Threat Signal’s fourth album ultimately goes on to be a semi-progressive metalcore venture full of hits and misses. Disconnect’s strongest moments often come when it is either at its most gut-wrenchingly heavy or enchantingly tranquil, juxtaposing the slow, delicate crawl of Betrayal with the grooving aggression of To Thine Own Self Be True’s guttural verses and harmonic solos. The adventurousness of the 10-minute opus Terminal Madness also wins some brownie points, as does its suave, piano-driven conclusion. However, Disconnect falls down with its numerous attempts at classic metalcore melodies. With his tamed clean singing, vocalist Jon Howard lacks the same passionate power that permeates his growls, making the would-be anthemic choruses of Walking Alone and Aura hindrances to the album’s otherwise invigorating momentum.

Louder’s resident Gojira obsessive was still at uni when he joined the team in 2017. Since then, Matt’s become a regular in Prog and Metal Hammer, at his happiest when interviewing the most forward-thinking artists heavy music can muster. He’s got bylines in The Guardian, The Telegraph, NME, Guitar and many others, too. When he’s not writing, you’ll probably find him skydiving, scuba diving or coasteering.

Mastodon add headline shows to their summer tour in the UK and Europe, but there's still no news on who's replacing Brent Hinds

"Open the dance floor, you’ll never get to do it again." Forget John Lydon's bitter and boring "karaoke" jibes, with Frank Carter up front, the Sex Pistols sound like the world's greatest punk band once more