You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

The queue snakes past Soho’s Bacchanalian bolthole, the Crobar, and unsavouries proffer illicit goods to the punters. It’s a fittingly grimy start to a night that promises petrifying doom for a crowd ready to have their eardrums and solar plexuses shredded. The Borderline’s new sound system handles the dense reverberating tirade of Oregon’s USNEA [8]. Their mash of Amenra and Pallbearer is a haunting, murky slow drag of effects-laden black/death doom climaxing in a 15-minute closer of desperate explosives and rhythmic dirge. It’s a perfect opener for UFOMAMMUT [8], the mammoths from space (terrestrial base: Italy). Takes from new album 8 sound immense, like an electromagnetic tornado sucking up grit and spitting it out. The three-piece splinter trance-like space doom and wind-tunnel vocals with bulldozing bluesy sludge and hellish feedback, taking the mind off to corners of the universe unknown. As it should be, the show is more than a gig, it’s an experience.

With over 10 years’ experience writing for Metal Hammer and Prog, Holly has reviewed and interviewed a wealth of progressively-inclined noise mongers from around the world. A fearless voyager to the far sides of metal Holly loves nothing more than to check out London’s gig scene, from power to folk and a lot in between. When she’s not rocking out Holly enjoys being a mum to her daughter Violet and working as a high-flying marketer in the Big Smoke.

Latest

Agnetha Fältskog of ABBA and Mikael Åkerfeldt of Opeth

"After shaking her hand, I went out and had like five cigarettes in a row just to calm myself down. I get starstruck easily": Opeth's Mikael Åkerfeldt on the time he met ABBA's Agnetha Fältskog and had dinner with her