Various: ZZ Top: A Tribute From Friends

ZZ Top’s magic remains strictly their own.

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That li’l ol’ band from Texas have continuously maintained the same line-up for longer than just about anybody else currently treading boards and spanking planks, so the Rev Willy G and his compadres are probably long overdue for this tribute album.

So: who’s wearing the false beards, and have any of them managed to trim said appendages into interesting shapes or even dye them funny colours? The dilemma facing any artist contributing to a trib album: reinvent or simply reproduce?

Most of the players on display here take the latter (soft) option: faced with a ZZ choon, the likes of Wolfmother, Coheed & Cambria, Mastodon and Duff McKagan (with Loaded) subsume their personal styles in the ZZ quicksand and end up sounding like a bunch of competent but characterless cover bands. The most radical and courageous approach comes from Wyclef Jean, with a bravura soul-ballad take on Rough Boy somewhat let down by a blah backing track.

Best shots: sizzling stomps through La Grange (from country star Jamey Johnson), Sharp Dressed Man (from The MOB, a one-off supergroup involving the Fleetwood Mac rhythm section, guitarist Jonny Lang and Steven Tyler on harp’n squawk), Tush (a gender-bending spin from Grace Potter) and Gimme All Your Lovin’ (quality sleaze from Filter). ZZ Top’s magic remains strictly their own.

Charles Shaar Murray is the award-winning author of Crosstown Traffic: Jimi Hendrix And Post-war Pop, and Boogie Man: The Adventures of John Lee Hooker in the American Twentieth Century. The first two decades of his journalism, criticism and vulgar abuse have been collected in Shots From The Hip. A founding contributor to Q and Mojo magazines, his work has appeared in newspapers like The Guardian, The Observer, The Independent, The Independent on Sunday, Evening Standard, and magazines including Word, Vogue, MacUser, Guitarist, Prospect and New Statesman.